Advanced Sheet Music from Southern Music Company
- Violin, Cello and Piano
- Score
- Southern Music Company
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The five-voiced fugue, commonly called 'St. Anne's', for full organ appears in part 3 of Bach's 'Clavierubung', published in 1739 or 1740. The melody which supplies the theme is from a hymn is attribu...
The five-voiced fugue, commonly called 'St. Anne's', for full organ appears in part 3 of Bach's 'Clavierubung', published in 1739 or 1740. The melody which supplies the theme is from a hymn is attribu...
- Brass Quintet
- Score and Parts
- Chester Roberts
- Southern Music Company
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The five-voiced fugue, commonly called 'St. Anne's', for full organ appears in part 3 of Bach's 'Clavierubung', published in 1739 or 1740. The melody which supplies the theme is from a hymn is attribu...
The five-voiced fugue, commonly called 'St. Anne's', for full organ appears in part 3 of Bach's 'Clavierubung', published in 1739 or 1740. The melody which supplies the theme is from a hymn is attribu...
- Brass Quintet
- Score
- Chester Roberts
- Southern Music Company
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Commissioned by my the composer's friends in the Kansas Brass Quintet. Movements: I. Intrada, II. Headache Scherzo (Or: The Blight of the Fumble Bee), III. Pastorale, IV. The Tin-ear Rag
Commissioned by my the composer's friends in the Kansas Brass Quintet. Movements: I. Intrada, II. Headache Scherzo (Or: The Blight of the Fumble Bee), III. Pastorale, IV. The Tin-ear Rag
- 5 Brass Instruments
- Score and Parts
- Southern Music Company
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Commissioned by my the composer's friends in the Kansas Brass Quintet. Movements: I. Intrada, II. Headache Scherzo (Or: The Blight of the Fumble Bee), III. Pastorale, IV. The Tin-ear Rag
Commissioned by my the composer's friends in the Kansas Brass Quintet. Movements: I. Intrada, II. Headache Scherzo (Or: The Blight of the Fumble Bee), III. Pastorale, IV. The Tin-ear Rag
- 5 Brass Instruments
- Score
- Southern Music Company
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Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 12, the four movements selected are by J.C. Bach. Arran...
Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 12, the four movements selected are by J.C. Bach. Arran...
- 5 Brass Instruments
- Score and Parts
- Verne Reynolds
- Southern Music Company
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Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 12, the four movements selected are by J.C. Bach. Arran...
Musically, the term 'centone' refers to the practice of combining separate works by one composer, or by different composers. In this Centone No. 12, the four movements selected are by J.C. Bach. Arran...
- 5 Brass Instruments
- Score
- Verne Reynolds
- Southern Music Company
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- 5 Brass Instruments
- Score
- Southern Music Company
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This woodwind trio is written for oboe, clarinet in A, and bassoon. Movements: I. Poco Maestoso (G Minor), II. Vivace (D Major), III. Andante (G Minor/F Major)
This woodwind trio is written for oboe, clarinet in A, and bassoon. Movements: I. Poco Maestoso (G Minor), II. Vivace (D Major), III. Andante (G Minor/F Major)
- Oboe, Clarinet in A and Bassoon
- Score and Parts
- Southern Music Company
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- Flute, Oboe, Clarinet, Horn and Bassoon
- Score
- Southern Music Company
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This arrangement for the advanced woodwind quintet offers the ensemble the opportunity to coordinate prior to playing and during performance to account to for the significant rubato and loose tempo th...
This arrangement for the advanced woodwind quintet offers the ensemble the opportunity to coordinate prior to playing and during performance to account to for the significant rubato and loose tempo th...
- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts
- Ross Taylor
- Southern Music Company
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This beautifully lyrical music is a fine contribution to any advanced woodwind quintet's library and will be musically enriching to the players and a joy for any audience.
This beautifully lyrical music is a fine contribution to any advanced woodwind quintet's library and will be musically enriching to the players and a joy for any audience.
- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts
- Southern Music Company
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- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts
- Southern Music Company
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- Flute and Piano
- Sheet Music
- Linda Marianiello
- Southern Music Company
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- Horn and Piano
- Sheet Music
- Thomas Bacon
- Southern Music Company
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- Clarinet and Piano
- Sheet Music
- Southern Music Company
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This atonal piece for oboe and piano will offer a wonderful challenge to the advancing oboist and will be a great anchor selection for any recital.
This atonal piece for oboe and piano will offer a wonderful challenge to the advancing oboist and will be a great anchor selection for any recital.
- Oboe and Piano
- Sheet Music
- Southern Music Company
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This challenging piece includes parts for both tenor trombone and alto trombone.
This challenging piece includes parts for both tenor trombone and alto trombone.
- Trombone and Piano
- Sheet Music
- Southern Music Company
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William Kenton Bales was professor of music at University of Nebraska- Omaha from 1988. His 'Fantasy on a Lakota Theme' for tuba and piano is a post-modern tribute to the Native American Lakota tribe...
William Kenton Bales was professor of music at University of Nebraska- Omaha from 1988. His 'Fantasy on a Lakota Theme' for tuba and piano is a post-modern tribute to the Native American Lakota tribe...
- Tuba and Piano
- Sheet Music
- Southern Music Company
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- Violin and Piano
- Sheet Music
- Southern Music Company
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- Medium Voice and Guitar
- Sheet Music
- Southern Music Company
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Detailed Instrumentation: Baritone Solo, SATB Chorus, 2.2.2.2 - 2.2.2.0 - Timpani,.Percussion, Strings
Detailed Instrumentation: Baritone Solo, SATB Chorus, 2.2.2.2 - 2.2.2.0 - Timpani,.Percussion, Strings
- Soloist, Mixed Choir (SATB) and Orchestra
- Choral Score
- Southern Music Company
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Detailed Instrumentation: Fl Solo: 2.2.2.2: 4.3.3.1: Timp.Perc(4).Hp: Str
Detailed Instrumentation: Fl Solo: 2.2.2.2: 4.3.3.1: Timp.Perc(4).Hp: Str
- Flute and Orchestra
- Score
- Southern Music Company
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This piece is the first in a series of orchestral essays (Entitled 'Four Symphonic Essays') which explore differents aspects of musical texture: monophony, homophony, cacophony, and in this work polyp...
This piece is the first in a series of orchestral essays (Entitled 'Four Symphonic Essays') which explore differents aspects of musical texture: monophony, homophony, cacophony, and in this work polyp...
- Orchestra
- Study Score
- Southern Music Company
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Commissioned by D. Stanly Barnes, director of the Clinton Tennessee High School Band, and dedicated to Doris and Elmer Cook. Instrumentation: orchestra Bells, xylophone, marimba, vibes (alt. piano), c...
Commissioned by D. Stanly Barnes, director of the Clinton Tennessee High School Band, and dedicated to Doris and Elmer Cook. Instrumentation: orchestra Bells, xylophone, marimba, vibes (alt. piano), c...
- 5 Mallets and 3 Percussion
- Single Part
- Southern Music Company
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