Antonio Vivaldi Sheet Music for Mixed Choir

Patrick Liebergen has provided us with a well-crafted edition from the final section of Vivaldi's setting of Psalm 147. This energetic chorus will add a joyous touch to any concert. Latin pronunciatio...

This Dixit, which would have opened the vespers to the Virgin, could have also been written for the Sunday vespers; however the existence of an Introduzione al Dixit autograph score in Turin which all...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

This Baroque opera chorus from Vivaldi's La fida ninfa was first heard at the grand opening of the Teatro Filarmonico in Verona, Italy. Available for 2- and 3-part choirs, this edition includes buoyan...

Arranged for soloists, choir and organ.

Arranged for soloists, choir and organ.

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

This Vivaldi work in D Major, RV 639 and RV 588, features an Introduction, "Jubilate," which is an aria for alto soloist, followed by a short recitative, and then the main work for mixed chorus and al...

Cantico for 2 SATB Choirs and Double Orchestra. English and Latin Text.

For SATB Chorus and Orchestra. English and Latin Text.

The first chorus of Vivaldi's Beatus Vir Also available: Paratum Cor Ejus (HMC180), In Memoria Aeterna (HMC179), and Gloria Patri (HMC178)

Final chorus from Vivaldi's Beatus VirAlso available: Beatus Viv (HMC177), Paratum Cor Ejus (HMC180), and In Memoria In Aeterna (HMC179).

The third chorus from Vivaldi's Beatus Vir produces an atmosphere of floating transparencyAlso available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

The second chorus from Vivaldi's Beatus Vir is a thought (and discussion) provoking piece Also available: Beatus Vir (HMC177), Paratum Cor Ejus (HMC180), and Gloria Patri (HMC178)

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto an...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...

A straightforward Latin text and well-written vocal parts give many opportunities to develop choral techniques, impress adjudicators, and wow audiences. Add the optional flute and cello parts to enhan...