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Georg Friedrich Händel
from the opera Serse

Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...

Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...

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Jules Massenet
from the opera Manon

Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the...

Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the...

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Jules Massenet
from the opera Manon

Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the...

Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the...

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Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera 'Rigoletto' in 1851 and together with 'La Traviata' (1853) and 'Il Trovatore' (1853) it belongs to the top of his middle period of composing. The aria 'Caro nome' is...

Giuseppe Verdi composed his opera 'Rigoletto' in 1851 and together with 'La Traviata' (1853) and 'Il Trovatore' (1853) it belongs to the top of his middle period of composing. The aria 'Caro nome' is...

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Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera 'Rigoletto' in 1851 and together with 'La Traviata' (1853) and 'Il Trovatore' (1853) it belongs to the top of his middle period of composing. The aria 'Caro nome' is...

Giuseppe Verdi composed his opera 'Rigoletto' in 1851 and together with 'La Traviata' (1853) and 'Il Trovatore' (1853) it belongs to the top of his middle period of composing. The aria 'Caro nome' is...

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Henry Purcell
from the opera Dido and Aeneas

'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...

'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...

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Henry Purcell
from the opera Dido and Aeneas

'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...

'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...

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Wolfgang Amadeus Mozart
Barbarina's aria from the opera Le Nozze di Figaro

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'L'ho perdut...

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'L'ho perdut...

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Order no.: BTM608-DL
Wolfgang Amadeus Mozart
Barbarina's aria from the opera Le Nozze di Figaro

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'L'ho perdut...

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'L'ho perdut...

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Order no.: BTM608SC-DL
Wolfgang Amadeus Mozart
from the opera Le Nozze di Figaro

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The duet 'Crudel! Per...

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The duet 'Crudel! Per...

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109,95 €
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Order no.: BTM609-DL
Wolfgang Amadeus Mozart
from the opera Le Nozze di Figaro

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The duet 'Crudel! Per...

'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The duet 'Crudel! Per...

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Wolfgang Amadeus Mozart
from the opera Zaide KV 344 (336b) for Soprano and Wind Ensemble

Zaide (originally, "Das Serail") is an unfinished opera written by Wolfgang Amadeus Mozart in 1780. Only the arias and ensembles from the first two acts were composed. Missing are an overture and thir...

Zaide (originally, "Das Serail") is an unfinished opera written by Wolfgang Amadeus Mozart in 1780. Only the arias and ensembles from the first two acts were composed. Missing are an overture and thir...

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Wolfgang Amadeus Mozart
from the opera 'Die Entführung aus dem Serail' for Tenor and Wind Ensemble

Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...

Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...

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Emmerich Kálmán
from the Operetta 'Gräfin Mariza'

Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...

Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...

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Order no.: BTM644SC-DL
Johann Strauss (Sohn)
from the Operetta 'Fürstin Ninetta'

Premiered in January 1893 'Ninetta', Strauss's twelfth operetta, was quite a success, running for 76 performances at the 'Theater an der Wien'. The story is filled with misunderstandings and complicat...

Premiered in January 1893 'Ninetta', Strauss's twelfth operetta, was quite a success, running for 76 performances at the 'Theater an der Wien'. The story is filled with misunderstandings and complicat...

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Johann Strauss (Sohn)
from the Operetta 'Eine Nacht in Venedig' for Soprano and Symphonic Band

Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...

Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...

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Johann Strauss (Sohn)
from the Operetta Eine Nacht in Venedig

Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...

Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...

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Johann Strauss (Sohn)
from the Operetta 'Eine Nacht in Venedig' for Tenor and Symphonic Band

Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...

Johann Strauss's (1825-1899) ninth operetta Eine Nacht in Venedig (A Night in Venice) premiered 1883 in Berlin and is his only operetta to be premiered outside Vienna. Although the score gained high a...

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Franz Lehár
from the Operetta 'Die lustige Witwe' for Tenor and Symphonic Band

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

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Franz Lehár
from the Operetta 'Das Land des Lächelns'

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif his tale...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif his tale...

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Order no.: BTM666-DL
Franz Lehár
from the Operetta 'Das Land des Lächelns'

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif his tale...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif his tale...

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Franz Lehár
from the 'Operetta Giuditta'

In Lehar's bittersweet operetta 'Giuditta', the beautiful heroine Giuditta abandons her husband to be with Octavio, an army captain. When he leaves her to pursue his military career, she becomes a nig...

In Lehar's bittersweet operetta 'Giuditta', the beautiful heroine Giuditta abandons her husband to be with Octavio, an army captain. When he leaves her to pursue his military career, she becomes a nig...

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Franz Lehár
from the 'Operetta Giuditta'

In Lehar's bittersweet operetta 'Giuditta', the beautiful heroine Giuditta abandons her husband to be with Octavio, an army captain. When he leaves her to pursue his military career, she becomes a nig...

In Lehar's bittersweet operetta 'Giuditta', the beautiful heroine Giuditta abandons her husband to be with Octavio, an army captain. When he leaves her to pursue his military career, she becomes a nig...

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Johann Strauss (Sohn)
from the Operetta 'Die Fledermaus' for Soprano, 2 Tenors and Symphonic Band

Beside his 150 waltzes Johann Strauss composed several operettas of which "Die Fledermaus" his best contribution to this genre is. The terzett "Nein mit solchen Advokaten" is sung by Rosalinde, Blind...

Beside his 150 waltzes Johann Strauss composed several operettas of which "Die Fledermaus" his best contribution to this genre is. The terzett "Nein mit solchen Advokaten" is sung by Rosalinde, Blind...

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Robert Stolz
from the Operetta Film Zei Herzen im Dreivierteltakt

In a life spanning almost ninety-five years, Stolz wrote in excess of 2000 songs, dances and marches, as well as the music for more than 50 stage works, 60 films and 19 ice revues. In 1929 the German...

In a life spanning almost ninety-five years, Stolz wrote in excess of 2000 songs, dances and marches, as well as the music for more than 50 stage works, 60 films and 19 ice revues. In 1929 the German...

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Order no.: BTM678-DL