Baroque Sheet Music: Explore the Classics of a Golden Era
Released to coincide with the 300th anniversary of the work’s premiere, the choral score of Bach’s St. Matthew Passion BWV 244 provides choral singers with a lightweight and practical edition that con...
Released to coincide with the 300th anniversary of the work’s premiere, the choral score of Bach’s St. Matthew Passion BWV 244 provides choral singers with a lightweight and practical edition that con...
- Soloists, Mixed Choir (SATB) and Orchestra
- Choral Score
- Edition Peters
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Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
- Soloists, mixed choir (SATB), strings, and basso continuo","detected_source_language":"DE
- Score
- Ortus Musikverlag
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Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
- Soloists, mixed choir (SATB), strings, and basso continuo","detected_source_language":"DE
- Set of Parts
- Ortus Musikverlag
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Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
- Soloists, mixed choir (SATB), strings, and basso continuo","detected_source_language":"DE
- Choral Score
- Ortus Musikverlag
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Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
Reihe Musik zwischen Elbe und Oder Bd. 45 Die Partitur ORT351-1 ist ein Festeinband mit 94 Seiten. Der Stimmensatz ORT351-2 besteht aus: Streicher einfach, Bc doppelt. Die Chorpartitur ORT351-3 enthäl...
- Soloists, mixed choir (SATB), strings, and basso continuo","detected_source_language":"DE
- Organ Score
- Ortus Musikverlag
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- Concert Band (Solo/Feature: Organ)
- Score and Parts
- Jérôme Naulais
- Editions Marc Reift
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The aria "Er Weidet Seine Herde" belongs to the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...
The aria "Er Weidet Seine Herde" belongs to the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...
- Concert Band (Solo/Feature: Instrument)
- Score and Parts
- Jean-François Michel
- Editions Marc Reift
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The aria "Er Weidet Seine Herde" belongs to the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...
The aria "Er Weidet Seine Herde" belongs to the famous oratorio Messiah by George Frideric Handel, composed in 1741. The work sensitively conveys the image of a shepherd tending his flock, a symbol of...
- Concert Band (Solo/Feature: Instrument)
- Score and Parts Download
- Jean-François Michel
- Editions Marc Reift
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Marc-Antoine Charpentier (1643-1704) was a French Baroque composer during the reign of Louis XIV. Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality o...
Marc-Antoine Charpentier (1643-1704) was a French Baroque composer during the reign of Louis XIV. Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality o...
- 2 Trumpets, Horn, Trombone, Tuba and Timpani
- Score and Parts Download
- Bruno Peterschmitt
- Baton Music
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- 10-11 Brass Instruments
- Score and Parts Download
- Thierry Caens
- Editions Marc Reift
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beide Stimmen sind nicht hoch gesetzt und damit keine "Ansatzkiller".
beide Stimmen sind nicht hoch gesetzt und damit keine "Ansatzkiller".
- Horn and Trumpet
- Sheet Music
- Frank B. Wegmann
- G&C Notenverlag
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- Brass Band (Vocal Feature)
- Score and Parts
- Julian Oliver Bertrand Moren
- Editions Marc Reift
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Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...
Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...
- Soloists (AT) and 4 Instruments
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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Separate edition from BA 5902, "Geistliche Chor-Music" SWV 369-380, The six and seven-part motets, nos. 13-29: In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titl...
Separate edition from BA 5902, "Geistliche Chor-Music" SWV 369-380, The six and seven-part motets, nos. 13-29: In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titl...
- Soloists (ST) and 5 Instruments
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...
Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...
- Low Voice, 5 Instruments and Continuo
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...
Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...
- High Voice and 6 Instruments
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.
Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...
The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...
- Soloists (ATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...
- Solo (SSATB), Mixed Choir (SSATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Basso Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Score (Urtext)
- Carus-Verlag
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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The ten motets (Concerti sacri) for solo voice, violins and continuo making up his Op. 3 (1703) are among his most attractive compositions, standing on the borderline between seventeenth-century bel c...
The ten motets (Concerti sacri) for solo voice, violins and continuo making up his Op. 3 (1703) are among his most attractive compositions, standing on the borderline between seventeenth-century bel c...
- Low Voice, 2 Violins and Continuo
- Score and Parts
- Edition HH Limited
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Die „Passio per il Venerdi Santo“, eine Passionsvertonung zum Karfreitag auf den Text des Evangelisten Johannes, von Gaetano Veneziano (1656–1716) aus dem Jahr 1702 darf als ein zentrales Werk dieses...
Die „Passio per il Venerdi Santo“, eine Passionsvertonung zum Karfreitag auf den Text des Evangelisten Johannes, von Gaetano Veneziano (1656–1716) aus dem Jahr 1702 darf als ein zentrales Werk dieses...
- Soloists, Mixed Choir, 2 Violins, Viola and Basso continuo
- Score
- Ortus Musikverlag
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Single piano edition
Single piano edition
- Piano
- Sheet Music
- Bartsch & Haeseler Musikverlag
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