Baroque Sheet Music: Explore the Classics of a Golden Era

Purcell's "Fantazia in F major" is the magnificent, partly virtuoso chaconne "Three Parts upon a Ground", an artful and at the same time rousing composition. Technically not easy, but extremely effect...

The "Suite in G major" is provided by Purcell without any indication of the instrumentation. In its original key, it is ideal for a recorder quartet or a recorder playing circle (SATB). The movements...

The "2 Overtures" in the original keys of G minor and G major are a valuable addition to the literature for recorder quartets. Fascinating compositions, exciting music with daring harmonies.

Samuel Scheidt, baptized on 3.11.1587 in Halle an der Saale, died on 24.3.1654 also in Halle, studied with the great Dutch organ master Jan Pieterszoon Sweelinck in Amsterdam. Scheidt had close relati...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

The opening movement of the 2nd Orchestral Suite, originally in B minor, was transposed upwards of a minor third to D minor for our edition. The concluding badinerie of this suite for recorder quartet...

In his position as "Ordinaire de la musique du roi" at the court of Louis XV, Jean-Marie Leclair gained a wide range of experiences as a celebrated violin virtuoso at the "Concerts Spirituel", which h...

John Dowland is best known for his "Ayres", the songs with lute accompaniment. But he also wrote ensemble music for viola da gambas and violins. In particular, his collection "Lachrimæ or Seaven Teare...

Probably the most beautiful flute sonata from the pen of J. S. Bach! In addition to two sonatas with basso continuo in E minor and in E major (BWV 1034, BWV 1036) and the Solo Partita in A minor (BWV...

Alto recorder and basso continuo; violoncello ad lib.

The pieces are numbers 1, 3, 7, 8, 10 and 11 of the 'Twelve Fantasies' for flute without bass by G. P. Telemann. Since they are too low in the original version for the recorder, they have been transpo...

The pieces are numbers 1, 3, 7, 8, 10 and 11 of the 'Twelve Fantasies' for flute without bass by G. P. Telemann. Since they are too low in the original version for the recorder, they have been transpo...

Edition Schott reflects the whole diversity of music in a comprehensive sheet music library for the student, amateur and professional musician. The Edition Schott offers music from the Renaissance to...

Edition Schott reflects the whole diversity of music in a comprehensive sheet music library for the student, amateur and professional musician. The Edition Schott offers music from the Renaissance to...

John Playford's collection The English Dancing Master, published 18 times between 1651 and 1728, contains real hits of that time. It asks for dancing but also for experimentation, interpretation and l...

The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation du...

Greensleeves to a Ground presents the famous folk song melody in a form that is of great importance to the development of the art of ornamentation in English instrumental music. It is one of the movem...

Greensleeves to a Ground presents the famous folk song melody in a form that is of great importance to the development of the art of ornamentation in English instrumental music. It is one of the movem...

for 2 treble recorders and basso continuo, edited for the first time with a basso continuo by Klaus Hofmann. Stylistically, they stand between the epochs: bound to the basso continuo and thus still ob...

Marin Marais (1656 - 1728), solo gamba player in the Royal Chamber Orchestra and director of the opera orchestra at the court of Louis XIV, was highly successful as a composer mainly through his opera...

Marin Marais (1656 - 1728), solo gamba player in the Royal Chamber Orchestra and director of the opera orchestra at the court of Louis XIV, was highly successful as a composer mainly through his opera...