Baroque Sheet Music: Explore the Classics of a Golden Era

With this trio from the important collection 'Essercizii Musici', Amadeus presents all four trios with obbligato harpsichord as the second melodic part; with a finely tuned realization of the bass to...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

This edition contains Couperin’s four 'Concerts royaux', which were published in 1722 as part of Book III of his 'Pièces de clavecin'. For the first time it makes these pieces, scored for chamber ense...

Trauermusik eines kunsterfahrenen Canarienvogels. Tragikomische Kantate für Solostimme und Instrumente. Der Partitur liegen die Instrummntalstimmen bei. Mittlere Stimme, Violine (2), Viola, Basso cont...

While his contemporaries still regarded him as one of the greatest musicians of all time, Telemann's star faded in the course of the 19th century in the oversized shadow of Bach and Handel to the poin...

Der Partitur liegen auch eine Stimme für Fagott/Violomcello (statt Blockflöte) bei. Urtext der Telemann-Ausgabe. Flöte (2), Alt-Blockflöte in f,g/ Fagott/ Violoncello, Basso continuo - Partitur; Stimm...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

In 1738 Georg Frideric Handel penned 'Il Xerse' which was to be his last as well as his most famous opera. However in truth, Handel’s opera is nothing other than the final chapter in the history of a...

After Johannes Brahms' String Sextet in G major op. 36, the Simrock publishing house published – as was customary at the time – adaptations of the work for other ensembles. In 1883 a version for piano...

After Johannes Brahms’ String Sextet in G major, Op. 36, was published in 1866, the Simrock publishing house—as was customary at the time—released arrangements of the work for other instrumentations....

No catalog of brass ensemble music would be complete without Gabrieli canzons. This arrangement for quintet and organ is an adaptation of a canzon for 8 voices.

Extrait d'Andromeda liberata, l'air 'Sovvente il sole' offre une ligne mélodique magnifique, un dialogue émouvant entre le héros Persée et le violon solo. S'inspirant de la légende grecque d'Andromède...

In his desire to broaden the repertoire for fellow flutists, Robert Stallman has developed a special gift for transcribing works of Great composers such as Bach, Mozart, Dvo?ák, Rossini, and others fo...

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

Diese Ausgabe schlägt ein Zusatzkapitel der 'Sämtlichen Orgelwerke' von Johann Ludwig Krebs auf. Es überrascht dabei, dass von den 20 überlieferten Kompositionen (Fantasien und Choralvorspiele) für Or...

Mitreißende Triosonate in barockem Glanz

Much has been speculated on the instrumentation of this contrapuntal masterpiece since Bach's death. For a long time, the fragmentary work was regarded as a piano work but since the early 20th century...

Much has been speculated on the instrumentation of this contrapuntal masterpiece since Bach's death. For a long time, the fragmentary work was regarded as a piano work but since the early 20th century...

Vierzig Jahre nach seiner Version der Kunst der Fuge für vier Quartette und Orgel hat Heribert Breuer nun auch das Schwesterwerk in ähnlicher Weise bearbeitet - für zwei Trios und Harfe. Durchhörbarke...

Alessandro Scarlatti’s Concerto Grosso R 533.2 exemplifies the elegance and sophistication of the Italian Baroque. As a leading composer of his time, Scarlatti develops here a clear musical language t...

Alessandro Scarlatti’s Concerto Grosso R 533.2 exemplifies the elegance and sophistication of the Italian Baroque. As a leading composer of his time, Scarlatti develops here a clear musical language t...