Baroque Sheet Music: Explore the Classics of a Golden Era

Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart G-Mixolydisch

Fav SATB, 2 Vl, Fg, Cb, Org, [Cpl SATB, 4 Instr] - Tonart d-dorisch

Coro SSATB, 2 Vl, Cb, Org - Tonart G-Mixolydisch

With "Vater unser, der du bist im Himmel" (SWV 411) from the renowned Symphoniae Sacrae III, Heinrich Schütz created a deeply moving setting of the Lord's Prayer. This masterpiece of the German early...

Immerse yourself in the magnificent soundscape of the early Baroque with Heinrich Schütz’s masterwork "Siehe, wie fein und lieblich ist's" (SWV 412). Featured as an excerpt from the celebrated Symphon...

Coro SSATTB, 2 Vl, Cb, Org

Fav SSATB, 2 Vl, Fg, Cb, Org, [Cap SATB, 4 Instr] - Tonart g-dorisch

Experience one of the most poignant and dramatic masterpieces of the early Baroque with Heinrich Schütz’s "Saul, was verfolgst du mich" (SWV 415) from the groundbreaking Symphoniae Sacrae III. With gr...

Coro SSATTB, 2 Vl, Cb, Org

Fav SMsTTBarB, 2 Vl, Cb, Org, [Cpl SATB/SATB, 8 Instr]

Fav SSATTB, 2 Vl, Cb, Org, [Cpl SATB, 4 Instr]

Coro SATB, [4 Instr], Cb, Org - Partitur (ohne Umschlag)

La Weihnachts-Historie SWV 435 de Heinrich Schütz s'inscrit dans la tradition des mises en musique de l'histoire de la nativité qui, contrairement aux oratorios postérieurs, se limitent en grande part...

Ein noch viel zu wenig bekanntes Psalmkonzert von Heinrich Schütz für Solostimmen, Chor, 2 Violinen, 3 Posaunen und Basso continuo. Alternativ sind auch kleinere Besetzungen möglich. Vermutlich schrie...

Geistliches Konzert - Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr - Tonart G-Mixolydisch

With "Die Sieben Worte" (The Seven Words, SWV 478), Heinrich Schütz created a deeply moving masterpiece of early Baroque Passion music that resonates powerfully with listeners and performers alike. Th...

Mit seiner Auferstehungshistorie setzte Schütz die etwa siebzigjährige Tradition der Komposition biblischer Historien fort, die Friedrich Blume die 'eigenartigsten und geschichtlich bedeutendsten Leis...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...

En fin. He is an ecolier of whom I must not be ashamed, is how J. S. Bach summarized the qualities of his later son-in-law J. C. Altnickol. Among the few surviving works by Altnickol are two Sanctus o...