Breitkopf Choral Sheet Music
Orchestermaterial nach der neuen Beethoven-Gesamtausgabe des G. Henle Verlags. Alle Dirigierpartituren und Orchesterstimmen sowie die Klavierauszüge und Chorpartituren sind exklusiv über Breitkopf & H...
Orchestermaterial nach der neuen Beethoven-Gesamtausgabe des G. Henle Verlags. Alle Dirigierpartituren und Orchesterstimmen sowie die Klavierauszüge und Chorpartituren sind exklusiv über Breitkopf & H...
- Mixed Choir (SATB) and 2 Pianos
- Piano reduction with part(s) (Urtext)
- Jan Philip Schulze
- Breitkopf & Härtel KG
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Urtext based on the new Complete Edition edited by Armin Raab [mix ch,orch] Text: Johann W. von Goethe
Urtext based on the new Complete Edition edited by Armin Raab [mix ch,orch] Text: Johann W. von Goethe
- Mixed Choir and Piano
- Piano Reduction
- Carl Reinecke
- Breitkopf & Härtel KG
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Text: Schikaneder, Emanuel Soli: 7S (davon 2 Knaben). A (Knabe). 3T. . 3B - 3 - Chor: SATTBB - 2(Picc) 2.2.2Bassetthn.2. - 2.2.3.0. - Pk.Schl - / BM: Fl - (Wittmann, C. F.)
Text: Schikaneder, Emanuel Soli: 7S (davon 2 Knaben). A (Knabe). 3T. . 3B - 3 - Chor: SATTBB - 2(Picc) 2.2.2Bassetthn.2. - 2.2.3.0. - Pk.Schl - / BM: Fl - (Wittmann, C. F.)
- Soloists, Mixed Choir (SATTBB) and Piano
- Piano Reduction
- Breitkopf & Härtel KG
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- Mixed Choir (SATB) and Piano
- Piano Reduction
- Breitkopf & Härtel KG
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Piano Vocal Score by Hermann Levi und Johannes Brahms. New Edition with a preface by Ulrich Mahlert. Brahms told us that early that morning he had found Hölderlins poems in the bookcase, and had been...
Piano Vocal Score by Hermann Levi und Johannes Brahms. New Edition with a preface by Ulrich Mahlert. Brahms told us that early that morning he had found Hölderlins poems in the bookcase, and had been...
- Mixed Choir (SATB) and Piano
- Piano Reduction
- Breitkopf & Härtel KG
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Soli: SATB - Chor: SATB - Picc.2.2.2.2.Kfg. - 4.2.3.0. - Pk.Schl - Str Klavierauszug von Carl Reinecke
Soli: SATB - Chor: SATB - Picc.2.2.2.2.Kfg. - 4.2.3.0. - Pk.Schl - Str Klavierauszug von Carl Reinecke
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Carl Reinecke
- Breitkopf & Härtel KG
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Alien and lonely - though not alone One of the best-known lieder cycles of the 19th-century, the Winterreise, composed in 1827 by Franz Schubert and ranked everywhere as one of the high points of the...
Alien and lonely - though not alone One of the best-known lieder cycles of the 19th-century, the Winterreise, composed in 1827 by Franz Schubert and ranked everywhere as one of the high points of the...
- Medium Voice, Mixed Choir (SATB) and Piano
- Piano Score
- Gregor Meyer
- Breitkopf & Härtel KG
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Duration: full evening Text by the composer based on the eponymous puppetry Translation: French (J. Lasserre), Italian (O. Previtali) Place and time: Wittenberg and Parma, late Middle Ages Characters:...
Duration: full evening Text by the composer based on the eponymous puppetry Translation: French (J. Lasserre), Italian (O. Previtali) Place and time: Wittenberg and Parma, late Middle Ages Characters:...
- Soloists, Mixed Choir (SSAATTBB) and Piano
- Piano Reduction
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
- Breitkopf & Härtel KG
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Harmony Parts (Urtext)
- Breitkopf & Härtel KG
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- Mixed Choir (SATB), Piano and Drums
- Instrumental Part: Drums
- Breitkopf & Härtel KG
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- Mixed Choir (SATB), Organ and Strings
- Instrumental Part: Organ
- Breitkopf & Härtel KG
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- Mixed Choir (SATB), Organ and Strings
- Instrumental Part: Violin 1
- Breitkopf & Härtel KG
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- Mixed Choir (SATB), Organ and Strings
- Instrumental Part: Violin 2
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- Mixed Choir (SATB), Organ and Strings
- Instrumental Parts: Cello and Double Bass
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- Mixed Choir (SATB), Organ and Strings
- Instrumental Part: Glockenspiel
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Breitkopf Urtext nach der Brahms-Gesamtausgabe der Gesellschaft der Musikfreunde in Wien.
Breitkopf Urtext nach der Brahms-Gesamtausgabe der Gesellschaft der Musikfreunde in Wien.
- 4 Soloists, Mixed Choir (SATB) and Piano
- Score
- Breitkopf & Härtel KG
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- Mixed Choir
- Choral Part Alto
- Breitkopf & Härtel KG
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- Mixed Choir
- Choral Part Soprano
- Breitkopf & Härtel KG
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- Mixed Choir
- Choral Part Tenor
- Breitkopf & Härtel KG
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