Breitkopf & Haertel Orchestra Sheet Music
Premiere Cologne (Musik der Zeit), September 1, 1998 - PB 5424 was awarded the German Music Edition Prize 1999.
Premiere Cologne (Musik der Zeit), September 1, 1998 - PB 5424 was awarded the German Music Edition Prize 1999.
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The Missa in c was so dear to Mozart that he cited it as 'evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's g...
The Missa in c was so dear to Mozart that he cited it as 'evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's g...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
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2(Picc).2.2.2. - 4.3.3.1. - Pk.Schl - Hfe - Str (Virtanen, Timo) - Study score
2(Picc).2.2.2. - 4.3.3.1. - Pk.Schl - Hfe - Str (Virtanen, Timo) - Study score
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- Study Score (Urtext)
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2(Picc).2.2. - 4.3.3.1. - Schl(3) - Str - Study score after JSW
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- Orchestra
- Study Score (Urtext)
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Franz Beyer's new edition of all of Mozart's concert arias had a larger gap until now. Until the Mozart Year 2006, the three booklets with soprano arias (EB 8671-73) and the tenor booklet (EB 8778) ha...
Franz Beyer's new edition of all of Mozart's concert arias had a larger gap until now. Until the Mozart Year 2006, the three booklets with soprano arias (EB 8671-73) and the tenor booklet (EB 8778) ha...
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- Piano Reduction
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- Harmony Parts (Urtext)
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Harmony parts: 2 oboes, 2 bassoons.
Harmony parts: 2 oboes, 2 bassoons.
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- Horn and Orchestra
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Harmony parts: piccolo flute, flute (2), oboe (2), clarinet (2), bassoon (2), horn (2), trumpet (2), snare drum
Harmony parts: piccolo flute, flute (2), oboe (2), clarinet (2), bassoon (2), horn (2), trumpet (2), snare drum
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- Instrumental Part: Viola (Urtext)
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- Instrumental Part: Double Bass (Urtext)
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- Instrumental Part: Viola (Urtext)
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Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...
- Horn and Orchestra
- Instrumental Part: Viola (Urtext)
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Double Bass (Urtext)
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Viola (Urtext)
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Instrumental Part: Cello (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
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- Instrumental Part: Viola (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...
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- Instrumental Part: Cello (Urtext)
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The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...
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- Instrumental Part: Double Bass (Urtext)
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Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
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- Instrumental Part: Double Bass (Urtext)
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Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...
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- Instrumental Part: Viola (Urtext)
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Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
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- Instrumental Part: Cello (Urtext)
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The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
- Instrumental Part: Organ (Urtext)
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The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
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