Breitkopf & Haertel Orchestra Sheet Music
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Symphonies Nos. 1 and 5, ed. by Albrecht Dürr Kalliwoda entered the classical heritage with his symphonic works - his first work was compared by contemporaries to Mozart's late symphonies. On the othe...
Symphonies Nos. 1 and 5, ed. by Albrecht Dürr Kalliwoda entered the classical heritage with his symphonic works - his first work was compared by contemporaries to Mozart's late symphonies. On the othe...
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If anywhere, here is the symphonic interlude between the Unfinished and the C major symphonies, Alfred Einstein rates the first and most extensive of the three interludes.
If anywhere, here is the symphonic interlude between the Unfinished and the C major symphonies, Alfred Einstein rates the first and most extensive of the three interludes.
- Orchestra
- Set of Parts - Harmony
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The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...
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- Set of Parts - Harmony
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Die Revision der häufig gesungenen B-dur-Messe bringt gegenüber der älteren Breitkopf-Ausgabe eine große Zahl neuer Lesarten zutage.
Die Revision der häufig gesungenen B-dur-Messe bringt gegenüber der älteren Breitkopf-Ausgabe eine große Zahl neuer Lesarten zutage.
- Soloists (SATB), Mixed Choir, Organ and Orchestra
- Set of Parts - Harmony
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The cycle Seven Early Songs, based on texts by Lenau, Rilke, Storm and other poets, was compiled in 1928, more than twenty years after the individual songs were composed. Alban Berg selected seven of...
The cycle Seven Early Songs, based on texts by Lenau, Rilke, Storm and other poets, was compiled in 1928, more than twenty years after the individual songs were composed. Alban Berg selected seven of...
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- Orchestra
- Set of Parts
- Breitkopf & Härtel KG
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Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings
Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings
- Orchestra
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- Soloists (SATB), Choir and Orchestra
- Piano Reduction (Urtext)
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- Soloists (SSATB), Choir and Orchestra
- Piano Reduction
- Breitkopf & Härtel KG
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for soli (SATB), mixed choir and orchestra
for soli (SATB), mixed choir and orchestra
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score
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- 3 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Parts: Cello and Double Bass
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- Orchestra
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Without Carl Reinecke's Concerto in D major op. 283, the 19th century would be a pretty white spot on the repertoire map of the genre 'flute concerto'.
Without Carl Reinecke's Concerto in D major op. 283, the 19th century would be a pretty white spot on the repertoire map of the genre 'flute concerto'.
- Flute and Orchestra
- Study Score
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Who would have thought that there were still over 20 minutes of superb orchestral music by Sibelius to be discovered? It was indeed a minor sensation when conductor Osmo Vänskä introduced curious list...
Who would have thought that there were still over 20 minutes of superb orchestral music by Sibelius to be discovered? It was indeed a minor sensation when conductor Osmo Vänskä introduced curious list...
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- Study Score (Urtext)
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For the composition of the Christmas Oratorio, Johann Sebastian Bach made use of the parody procedure, as he did with other large vocal works, i.e., he fell back on previously composed movements (in t...
For the composition of the Christmas Oratorio, Johann Sebastian Bach made use of the parody procedure, as he did with other large vocal works, i.e., he fell back on previously composed movements (in t...
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score
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- Orchestra
- Harmony Parts
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- Orchestra
- Instrumental Part: Double Bass
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- Instrumental Part: Viola
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- Orchestra
- Instrumental Part: Cello
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- Orchestra
- Instrumental Part: Violin 1
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- Orchestra
- Instrumental Part: Violin 2
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The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...
The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...
- Orchestra
- Instrumental Part: Violin 1
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The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...
The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...
- Orchestra
- Instrumental Part: Violin 2
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The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...
The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...
- Orchestra
- Instrumental Part: Viola
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