Breitkopf & Hartel Urtext

The audition concerto in Urtext - in cooperation with G. Henle publishing house. Versions in D and C major

For the first time in the Urtext (In cooperation with G. Henle Verlag) With great care, Tchaikovsky had the printing of his epoch-making violin concerto supervised or checked the flags himself when th...

Breitkopf Urtext [Trp,Orch] (Kube, Michael) Coproduction with the G. Henle Verlag You can find the version in E flat major of this concerto here

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...

Ravel’s plans for a piano concerto can be traced back to 1906, but it was not until early 1929 that the composer began working on it in earnest. Since its successful premiere in January 1932, the Conc...

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. Urtext nach der ne...

2.2.2.Kfg. - 4.2.3.0. - Pk - Str (Pascall, Robert) Orchestral material based on the new Brahms Complete Edition published by G. Henle. All conducting scores and orchestral parts are available exclusiv...

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.

flute (2), oboe (2), clarinet (2), bassoon (2), horn (4), trumpet (2), timpani

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

[Vl,Orch] (Christian R. Riedel)

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe