Breitkopf & Hartel Urtext

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Y...

Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double...

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits...

From the early years of the clarinet concerto Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo in...

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. The clean autograph of the Horn Concerto in Eb majo...

Created in cooperation with G. Henle Verlag Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing...

The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from...

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trump...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns’ concert piece composed in 1...

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime...

The edition supervised by Thomas Fritzsch goes back to the only authentic source, a copy from the late 19th century - its predecessors are lost to this day .

For the first time clearly the 'Fassung letzter Hand'. Breitkopf Urtext [Vl,Orch] 35' Solo: Vl - Picc 2.2.2.2. - 4.2.3.0. - Pk.Schl - Hfe - Str - (Riedel, Christian R.)

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

Long misunderstood between Beethoven and Brahms Schumann's last concertante orchestral work was first performed only in 1937 and at the same time published in an editorially inadequate edition. It was...

The new edition is based on the well-known piano reduction by the composer and organist Ernst Friedrich Richter, which Breitkopf & Härtel published in Leipzig in 1845. At that time, the publisher had...

With the new Breitkopf Urtext orchestral material, the 'Prague' symphony will sound somewhat different.

The premiere of 'Luonnotar' took place on September 10, 1913 at the Shire Hall in Gloucester. Luonnotar' is not only Sibelius' most important work for Ackté, it is one of his most important works ever...

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' The land of artists is Germany after all, Mendelssohn wrote in 1831 of his trip from Italy, but here 'is the land of art', and so the 22-year-ol...