Breitkopf & Hartel Urtext

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

[Vl,Orch] (Christian R. Riedel)

Immerse yourself in the intoxicating sonic whirlwind of Maurice Ravel's masterpiece "La Valse" (Poème Chorégraphique). With this benchmark Urtext edition from the prestigious Breitkopf & Härtel publis...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The genesis of Beethoven’s 4th symphony came at an extraordinary time for the composer not only regarding productivity: Thus, in 1806 he composed, among other things, the 4th piano concerto, the three...

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle publishing house

Wolfgang Amadeus Mozart's Sinfonia concertante in E-flat major, K. 364 (320d) for violin, viola, and orchestra is widely regarded as one of the most moving and accomplished double concertos in music h...

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Y...

Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double...

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits...