Breitkopf & Hartel Urtext

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

Jean-François Monnard's Urtext edition is the first edition of La Valse that compares all relevant sources. The first printing of the score, published in 1921, served as a model.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.

Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.

Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

The score and orchestral parts are available for purchase for the first time in a new edition of La Mer.

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.