Breitkopf & Hartel Urtext
For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
- Orchestra
- Instrumental Part: Viola (Urtext)
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For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
- Orchestra
- Instrumental Part: Cello (Urtext)
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Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....
Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....
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- Instrumental Part: Double Bass (Urtext)
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Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....
Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....
- Orchestra
- Instrumental Part: Viola (Urtext)
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Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....
Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....
- Orchestra
- Instrumental Part: Cello (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Instrumental Part: Viola (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
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- Instrumental Part: Cello (Urtext)
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... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...
... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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ships within 2-5 working days
... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...
... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...
- Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...
... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...
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- Instrumental Part: Cello (Urtext)
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A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...
A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...
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- Instrumental Part: Double Bass (Urtext)
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A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...
A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...
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- Instrumental Part: Viola (Urtext)
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A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...
A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...
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- Instrumental Part: Cello (Urtext)
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Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...
Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...
- Orchestra
- Instrumental Part: Viola (Urtext)
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Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...
Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...
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- Instrumental Part: Cello (Urtext)
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Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...
Ravel's multi-layered homage in the 'Breitkopf Urtext' In his homage Le Tombeau de Couperin, Ravel turns less to Couperin himself than to French music of the 18th century. On the other hand, editor Je...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
- Orchestra
- Instrumental Part: Viola (Urtext)
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Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
- Orchestra
- Instrumental Part: Cello (Urtext)
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Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of...
- Orchestra
- Set of Parts - Harmony (Urtext)
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It has aroused passionate reactions ever since its premiere. To this day, Mahler's Fifth remains hard work for performers and listeners alike, as in addition to being an (almost) unsolvable problem fo...
It has aroused passionate reactions ever since its premiere. To this day, Mahler's Fifth remains hard work for performers and listeners alike, as in addition to being an (almost) unsolvable problem fo...
- Orchestra
- Instrumental Part: Viola (Urtext)
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It has aroused passionate reactions ever since its premiere. To this day, Mahler's Fifth remains hard work for performers and listeners alike, as in addition to being an (almost) unsolvable problem fo...
It has aroused passionate reactions ever since its premiere. To this day, Mahler's Fifth remains hard work for performers and listeners alike, as in addition to being an (almost) unsolvable problem fo...
- Orchestra
- Instrumental Part: Cello (Urtext)
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It has aroused passionate reactions ever since its premiere. To this day, Mahler's Fifth remains hard work for performers and listeners alike, as in addition to being an (almost) unsolvable problem fo...
It has aroused passionate reactions ever since its premiere. To this day, Mahler's Fifth remains hard work for performers and listeners alike, as in addition to being an (almost) unsolvable problem fo...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer in...
Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer in...
- Violin and Orchestra
- Instrumental Part: Viola (Urtext)
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