Breitkopf & Hartel Urtext

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...

Historically sound and authentic musical text; high-quality orchestral material based on the complete edition The musical text of the 1974 Strauss complete edition of the operetta "Die Fledermaus" is...

Historically sound and authentic musical text; high-quality orchestral material based on the complete edition The musical text of the 1974 Strauss complete edition of the operetta "Die Fledermaus" is...

When Carl Maria von Weber composed the overtura to "Der Freischütz" in May 1820, it was the final musical building block for his opera. In this respect, Weber was able to perfectly trace and condense...

When Carl Maria von Weber composed the overtura to "Der Freischütz" in May 1820, it was the final musical building block for his opera. In this respect, Weber was able to perfectly trace and condense...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...