Breitkopf & Hartel Urtext

Soli,GCh,Orch 20'

Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.

Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .

Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...

Wolfgang Amadeus Mozart schrieb sein stilbildendes Klarinettenquintett KV 581 eigentlich für ein als 'Bassettklarinette' bekannt gewordenes Instrument, das in der Tiefe über vier zusätzliche Halbtöne...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...