Breitkopf & Hartel Urtext

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Br...

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Br...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...