Breitkopf & Hartel Urtext

Immerse yourself in the dramatic depth and unparalleled emotional intensity of Wolfgang Amadeus Mozart's Piano Concerto in C minor, K. 491 – one of the most poignant masterpieces of the Viennese Class...

Wolfgang Amadeus Mozart’s Piano Concerto in C minor, K. 491, is undoubtedly among the most dramatic and profound works in the entire concerto repertoire. Renowned for its intense emotional depth and s...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns' concert piece composed in 1...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns' concert piece composed in 1...

Ravel’s plans for a piano concerto can be traced back to 1906, but it was not until early 1929 that the composer began working on it in earnest. Since its successful premiere in January 1932, the Conc...

Ravel’s plans for a piano concerto can be traced back to 1906, but it was not until early 1929 that the composer began working on it in earnest. Since its successful premiere in January 1932, the Conc...

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. Urtext nach der ne...

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. Urtext nach der ne...

2.2.2.Kfg. - 4.2.3.0. - Pk - Str (Pascall, Robert) Orchestral material based on the new Brahms Complete Edition published by G. Henle. All conducting scores and orchestral parts are available exclusiv...

2.2.2.Kfg. - 4.2.3.0. - Pk - Str (Pascall, Robert) Orchestral material based on the new Brahms Complete Edition published by G. Henle. All conducting scores and orchestral parts are available exclusiv...

Johannes Brahms’ masterful Double Concerto in A minor, Op. 102, captivates audiences with its profound and virtuoso dialogue between solo violin, solo cello, and orchestra. Presented in its revised 2n...

Johannes Brahms' Concerto for Violin, Cello and Orchestra in A minor, Op. 102 – the famous Double Concerto – captivates audiences with its incomparable symphonic depth and the passionate dialogue betw...

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Br...

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Br...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)