Camille Saint-Saëns: Intermediate Sheet Music

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

Saint-Saëns also contributed voluminously to the French concertante literature. He wrote five piano concertos, three violin concertos, two cello concertos, and about twenty smaller concertante works f...

Saint-Saëns also contributed voluminously to the French concertante literature. He wrote five piano concertos, three violin concertos, two cello concertos, and about twenty smaller concertante works f...

Saint-Saëns also contributed voluminously to the French concertante literature. He wrote five piano concertos, three violin concertos, two cello concertos, and about twenty smaller concertante works f...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

'Tarantelle for Flute and Clarinet' was Camille Saint-Saëns the first concertante piece. He wrote it in 1857 for the first flute and first clarinet of the imperial academy, and it was they who premier...

'Tarantelle for Flute and Clarinet' was Camille Saint-Saëns the first concertante piece. He wrote it in 1857 for the first flute and first clarinet of the imperial academy, and it was they who premier...

'Tarantelle for Flute and Clarinet' was Camille Saint-Saëns the first concertante piece. He wrote it in 1857 for the first flute and first clarinet of the imperial academy, and it was they who premier...

'Tarantelle for Flute and Clarinet' was Camille Saint-Saëns the first concertante piece. He wrote it in 1857 for the first flute and first clarinet of the imperial academy, and it was they who premier...

Due to careful cueing and skillful arranging, your band can play the Finale from the renowned 'Organ Symphony' even if you don't have a pipe organ or an organist available. The big, powerful sound of...

Den 'Danse Macabre' - zu deutsch'Totentanz' - komponierte Camille Saint-Saens zunächst für Gesang und Klavier, bevor er ihn zu einer symphonischen Dichtung für Orchester umarbeitete, in der die Solo-V...

Das Finale aus dem Meisterwerk von Camile Saint-Saens in einer anspruchsvollen Bearbeitung für Blasorchester von Uwe Krause-Lehnitz. Dauer: 3 Minuten, Grade 3

Das Finale aus dem Meisterwerk von Camile Saint-Saens in einer anspruchsvollen Bearbeitung für Blasorchester von Uwe Krause-Lehnitz. Dauer: 3 Minuten, Grade 3

The Carnival of the Animals was composed in 1886 and privately performed the following year during Mardi Gras. At the composer’s explicit request, the work was only performed publicly and published af...

Simplified Masterwork Solo.

The Danse macabre is the third symphonic poem in orchestral version composed by Saint-Saens in early 1875. Six months after finishing the orchestral score, the composer completed the two-piano transcr...

Le Carnaval des animaux was conceived in a small Austrian village, while Camille Saint-Saëns was working on his 3rd Symphony with organ, opus 78. Afraid that this humoristic fantasy could cause his oe...