Camille Saint-Saëns Sheet Music for Orchestra

SOLO for Flute, Oboe, Clarinet, Bassoon, Trumpet, F-Eb Horn, Trombone, Euphonium, Violin, Viola or Violoncello.

SOLO for Flute, Oboe, Clarinet, Bassoon, Trumpet, F-Eb Horn, Trombone, Euphonium, Violin, Viola or Violoncello.

Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that r...

Far from being an isolated work in Camille Saint-Saens' production, Ivanhoé belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de R...

Far from being an isolated work in Camille Saint-Saens' production, Le Retour de Virginie (Virginia's Return) belongs to a small set written at the beginning of his career in the particular context of...

Far from being an isolated work in Camille Saint-Saens' production, Ivanhoé belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de R...

Far from being an isolated work in Camille Saint-Saens' production, Le Retour de Virginie (Virginia's Return) belongs to a small set written at the beginning of his career in the particular context of...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, Ode belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome....

This charming transcription of the opening piece from Saint-Saen's Carnival of the Animals, has captured the grandeur of the king of the jungle. The work is both majestic and descriptive, and is a gre...

This charming transcription of the opening piece from Saint-Saen's Carnival of the Animals, has captured the grandeur of the king of the jungle. The work is both majestic and descriptive, and is a gre...

This charming transcription of the opening piece from Saint-Saen's Carnival of the Animals, has captured the grandeur of the king of the jungle. The work is both majestic and descriptive, and is a gre...

Both works included in this volume – “Septuor” op. 65 and “Le Carnaval des animaux” – lead a double life between chamber music and ensemble/orchestral music. Saint-Saëns wrote them originally as chamb...

With his four works 'Le Rouet d'Omphale', 'Phaéton', 'Danse macabre' and 'La Jeunesse d'Hercule', composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector B...

Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...

> First scholarly-critical edition of this famous symphony based on 'Camille Saint-Saëns - Complete Edition of the Instrumental Works' > Now with separate parts for all winds > Orchestral parts in a l...

I gave everything I could give in this work. [...] What I have done here, I will never do again. Camille Saint-Saëns was justifiably proud of his Third Symphony in C minor op. 78, dedicated to the mem...

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to...

Taken from Camille Saint-Saëns' most successful opera, this powerful and energetic arrangement challenges all sections, yet is within the grasp of high school orchestras. Another skillful Merle Isaac...

Taken from Camille Saint-Saëns' most successful opera, this powerful and energetic arrangement challenges all sections, yet is within the grasp of high school orchestras. Another skillful Merle Isaac...