Chamber Ensemble Sheet Music

Un Divertimento piccolo per Clavecimbalo, Corno e Violino accompagnato.

Danzi's melody-laden Op. 10 captivates with its 'balanced' instrumental interplay: comfortable to perform; especially rewarding for the violas.

Rosetti wrote this colorful and contrapuntally dense work, which received wide circulation and recognition during his lifetime, in November 1782 for the famous Parisian 'Concert spirituel'. A prime ex...

Unique in their instrumentation, these trios were long considered lost: Delicacies from a time in which tone painting aimed at euphony came into fashion.

All-familiar work loaded with rhythmic and harmonic finesse in the rare instrumentation (see Cambini).

Transferred to the oboe without loss of substance after the version with clarinet. A gain for all oboists who would like to add relatives to the Mozart quartet.

Of enchanting melodic beauty and pathetic expressiveness, this work is TOO attractive for stage and house to dispense with its 'playful' appropriation.

The work seemed so successful to its creator that he offered it in 2 versions for concert use. It appeared as op.7 in the version with clarinet (Amadeus BP 1208).

Written in 1952, this tonal work is captivating for the esprit of its 'programmatic' movements: Aubade, Capriccio, Cortège triste and Sérénade.

The work brings pleasure to many musicians, all of whom can 'put on a show', pleasant and useful entertainment with modest technical effort.

The now much-loved cantata from 1699 is presented here in an edition critically arranged according to the source. The recorder parts are included in 2 playing scores.

The Oettingen-Wallerstein court composer, whom Mozart respectfully dubbed the 'Papa of piano players', succeeded in creating one of the most endearing rococo pieces with this quintet.

One of the few romantic flute quartets. It was repertoire during the lifetime of Thieriot, an almost forgotten intimate of Brahms. Revised from the first printing of 1905.

First Edition

First Edition

First Edition