Chamber Ensemble Sheet Music

The works of the Rinteler Amtsmusiker Volckmar stand in their perfect compositional expression and invention far above the utility music of the time. Repertoire worthy.

Frist Edition

The concerto is suitable for both choric and solo performance. To allow for these alternatives, a complete set of parts has been added to the score and realization of the thorough bass.

Frist Edition

Written in the 1930s, the concerto was inspired by the Zurich Chamber Orchestra and has since been undeniably regarded as 'a throw in invention, powerful in design and of pithy modernity'.

The beauty and brilliance of this sextet, which can be performed well without horns, are unparalleled: it will remain forever young.

One of the most beautiful and espressive works in the rare quintet instrumentation with oboe, balanced in the treatment of all instruments with moderate technical demands. Repertoire.

In Telemann's famous 'Essercizii Musici', the trios with obbligato harpsichord as the second melodic part occupy a special position: they stand (almost) alone in the literature of this genre.

First Edition

A work entirely in the blending of the Italian and German instrumental styles. The melodic balance among the voices is self-evident for the cellists Cirri. Medium level of difficulty.

First Edition Largo cantabile - Allegretto - Vivace assai

Composed in 1972, the quintet is aimed at all house musicians who enjoy playing in mixed ensembles, thanks to its modest technical demands, especially the very light violin part.

First Edition

The technically easy to master work (2nd violin and viola executable in the 1st position) is a choral version of the Quintet op.74 for violin, clarinet, bassoon, cello and piano (BP 1276).

First Edition

A novella that lets a small impostor become a count, but whose unmasking ends peacefully bourgeois.

A wreath of little-known Christmas carols, easy to perform and can also be scored with wind instruments; the viola part can also be performed by a violin (separate part).

From the illustrious Neapolitan collection of 24 'Concerti di Flauti, Violino, Violetta e Basso Di Diversi Autori' of 1725. A work that works both solo and with choral string instrumentation.

This attractive work is part of the famous Neapolitan collection of 24 concertos, created around 1725 as 'Concerti di Flauto, Violino, Violetta e Basso Di Diversi Autori'.

Edited from the first edition.

The sonata is part of the collection of two- to five-part sonatas from 1682. Experimental in form and harmony. Largely executable in the 1st position.

Songs 'Das große Licht' by Simon Dach and 'Trost der Nacht' by Grimmelshausen set to music in the late Romantic style of 1941. Of particular charm: the darkly colored clarinet part.