Sheet Music for Choir and Vocals for all ensembles

An original setting of this well-loved text, with a limpid tune and a gorgeous piano accompaniment, easily adaptable to the organ. An orchestration for two flutes, strings, and organ is available on h...

Joyful, exciting, and effective out of all proportion to its difficulty, this anthem will be particularly useful for musical dedications and concerts, and as an anthem of praise.

For SATB, 2 flutes, and harp or piano OR SATB, 2 flutes, 2 oboes, strings, harp or piano. A charming arrangement featuring flutes, this is perfect for even the smallest of choirs.

The folk-like tune is instantly compelling and memorable, the choral harmony rich and sweet, and the development almost overwhelmingly effective for all its simplicity. Effective as an anthem or as a...

Refreshing and moving, this arrangement is filled with strong harmonies, light suspensions, and beautiful dissonances. Instrumental material is available on hire.

As each voice enters the texture of a gently murmuring river gradually builds. A surprisingly easy transition into a more modal third verse adds direction and depth to this simple folk song. Orchestra...

This is the first piece in Wilberg's Dances to Life. The text speaks of the wonders of childhood, and the music is playful and dance-like, set mainly in 7/8. The choral writing is uncomplicated, and t...

This is the second piece in Wilberg's Dances to Life. The percussion simulates the solemn toll of the bells, calling the end to life.

For SATB, piano 4 hands and optional percussion (glockenspiel, vibraphone/suspended cymbal, bass drum). The third and final movement of Dances to Life. The vocal writing and keyboard accompaniment cre...

In an upbeat march in 2/4 meter (the orchestral version starts with a snare drum) the choir lifts off in the bright key of D major. Lightly, and with lots of bounce, the voices celebrate the birth of...

This setting of a fervent and uplifting text by Samuel Stennett is both direct and effortlessly melodic. The impression is one of great joy and freshness; an irresistible combination.

6 of the songs are for SATB, 3 for unison upper voices, and 2 for men's voices. The folk-songs may be performed individually, in groups, or as a complete suite.

This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...

For SATB, strings (and winds) and organ. Two settings of Ave Verum Corpus - the Mozart setting for SATB, strings and organ and the Süssmayr setting, written a year later, for SATB, 2 oboes, 2 horns, s...

McDowall's setting is optimistic and appealing, with charming interplay between the voices and piano. The inspirational words are by Marie Curie.

Sara Teasdale's poem about the three kings allows Sarah Quartel to create a haunting atmosphere in this folk-like carol for choir and piano. Offprinted from Carols for Choirs 6.

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. Featuring a lilting melodic line, eloquent part-writing, and an effective piano part. Also available in ver...

Setting a joyful text by William Chatterton Dix, Alleluia, sing to Jesus! is suitable for performance throughout the church year. With a bright melody set against a rhythmic organ accompaniment, this...

This Magnificat and Nunc Dimittis setting was written for the choirs of two churches in Brighton. It was conceived to be performed by amateur choirs, and achieves this level of accessibility whilst st...

An expressive setting of a Roberta Hill Whiteman text, this secular title is teeming with melodic lyricism, colour, and character. The meditative vacillation between F sharp minor and D major chords i...

A rhythmic and spirited arrangement of a traditional Jewish song. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.

A traditional Jewish song arranged as a gentle lullaby. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.

Skempton's setting of the text from the Book of Revelation is reflective rather than ferocious, and trusts in the power of understatement.