Sheet Music for Choir and Vocals for all ensembles

Taken from the cantata Dona Nobis Pacem, this short movement is scored for SATB choir with a piano reduction of the orchestral parts. Material for the full orchestral version and an accompaniment for...

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. Featuring a lilting melodic line, eloquent part-writing, and an effective piano part. Also available in ver...

Commissioned by the New Orlean's Children's Chorus for the 2005 Crescent City Festival, this work is to be performed 'cool but with a swing'.

Four songs exploring a variety of 'green' issues for SS and piano. The songs are fun, funky, and totally up-to-date, with jazzy rhythms and some rap-style verses to really get young choirs and their a...

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate...

This atmospheric and powerful Advent anthem is composed for SATB choir and organ, with a separate Soprano semi-chorus, and is ideal for institutions with two upper-voice choirs, one of which can (opti...

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This piece, originally for SA choir, has been reworked for a SATB choir, and would suit a funeral or commemoration setting. It begins softly and in unison, until a sudden key change where the mood shi...

Arranged here for unison voices and piano, this uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A...

Utilizing the standard 3 movement sonata outline, Jackson employs a variety of textures to great effect in this piece. In the first movement alone, the music employs homophonic, unison, canonic and mo...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

A short anthem setting the Lord's Prayer in the version of the text from the First Prayer Book, hence the unusual spelling. This was premiered at the Brighton Festival in 2012.

Presented here in an arrangement for unison voices (with an optional second part), this setting of words by Chief Dan George optimistically reminds us that there is still beauty to be found in times o...

Presented here in a version for unison voices (with optional second part), this setting of words by the composer, based on a quote by Brian Palmer, encourages singers to listen to the sounds and peopl...

Presented here in a version for unison voices, this tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich...

This lively piece draws on complex rhythms and dance elements and combines them with lyrical passages reminiscent of the haunting melodies of the Welsh folk tradition. The use of harmonics, open strin...

Whitbourn’s setting of Joseph Beaumont’s Epiphany oblation features a soaring melodic line over serene and delicate harmonies infused with suspensions and cluster chords. Offprinted from Carols for Ch...

Suzzie Vango's exuberant arrangement of Gaudete embellishes the charm of this well-known sixteenth-century carol with an accented rhythmic ostinato and playful changes of metre. A version for upper vo...

Jane Savage's setting of the famous Christmas hymn 'While shepherds watched their flocks by night' was written for the girls' choir of The Asylum for Female Orphans and published in 1785. Composed in...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...

Details: narrator, children's voices, soprano saxophone in B-flat (baritone saxophone in E-flat), clarinet in B-flat (bass clarinet in B-flat), viola, cello, harpsichord, percussion

Oldham's setting of the Laudes creaturarum was composed in 1961 as a result of a commission from the Spode Music Week, a festival with workshops, founded in 1954 and still in existence. During those w...

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Vocalise Study for High Voice and Piano is...

Voix D Enfants A Capella