Sheet Music for Choir and Vocals for all ensembles

Commissioned by Jeremy Huw Williams with support from the Britten-Pears Foundation.

Commissioned by Sarah Leonard with funds from the Britten-Pears Foundation and RVW Trust.

Dark Inventions was commissioned by the New Chamber Players with funds provided by Southern Arts. The first performance was given in the Holywell Music Rooms, Oxford, during the Queens college Contemp...

Reprint der Originalausgabe

Libretto for the Opera in Two Acts. Scored for SATB Soli, SATB Chorus and Orchestra. Commissioned by English national Opera with funds from the Arts Council. Text: Judith Weir after Ludwig Tieck.

John Tavener 's Schuon Lieder is a work of 6 songs arranged for Voice and Piano by the composer, with words by Frithjof Schuon. This version was first performed at the Wigmore Hall in London on 28th S...

For soprano and orchestra. The vocal score to the mad scene from Bell’s 2013 opera A Harlot’s Progress. This scene charts the mental and emotional descent of Moll Hackabout who is in the final stages...

Three previously unpublished songs, setting Guillaume Apollinaire's short poems from Le Bestiaire, not included in Poulenc's original set of six from 1918.

Scenes from the Wild is a Song Cycle for Tenor and Chamber Orchestra, based on the book by Dara McAnulty: Diary of a Young Naturalist. The diary, March 2018-19, begins with an echo of Dara's early mem...

Subtitled 'after Clara Schumann Op. 13 No. 2', Helen Grime reinvents the 19th century composer's setting of Heine's text into a striking original style.

Three baritone songs taken from the composer's cantata 'Héloïse and Abelard', and the opera 'The Three Strangers'. Specially arranged for baritone and piano by the composer for Brian Raynor Cook.

The composer writes: 'Simon Littlefield wrote the poem Sun stands still in June 2020. On reading it I could immediately see it working well as a song for treble and piano. I recorded a guide vocal and...

Come Away, Death for tenor and orchestra is an adaptation of a movement from Iain Bell’s song cycle These Motley Fools.

Kaija Saariaho’s first work for stage was premiered at the Sibelius Academy in 1981 and not performed again until 2022 when the composer reconstructed the work, including the original tape part which...