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Bach wrote the cantata "Herr, wie du willt, so schicks mit mir" BWV 73 for the 3rd Sunday after Epiphany in 1724. As in many other cantatas of the first year, the opening movement contains a part for...
Bach wrote the cantata "Herr, wie du willt, so schicks mit mir" BWV 73 for the 3rd Sunday after Epiphany in 1724. As in many other cantatas of the first year, the opening movement contains a part for...
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after the 2nd version by Bach
after the 2nd version by Bach
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On the 1st Sunday after Trinity in 1723, Bach introduced himself as the new cantor to Leipzig's worshippers with the cantata Die Elenden sollen essen BWV 75. Like the cantatas for the 1st Sunday after...
On the 1st Sunday after Trinity in 1723, Bach introduced himself as the new cantor to Leipzig's worshippers with the cantata Die Elenden sollen essen BWV 75. Like the cantatas for the 1st Sunday after...
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Bach composed the cantata Du sollst Gott, deinen Herrn lieben BWV 77 for the 13th Sunday after Trinity in 1723. Together with BWV 64 and 69.1, it belongs to a small group of cantatas on texts by Johan...
Bach composed the cantata Du sollst Gott, deinen Herrn lieben BWV 77 for the 13th Sunday after Trinity in 1723. Together with BWV 64 and 69.1, it belongs to a small group of cantatas on texts by Johan...
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The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...
The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...
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Alongside the more well-known cantata "Ein feste Burg ist unser Gott" BWV 80, "Gott, der Herr, ist Sonn und Schild" BWV 79 is Bach's only other cantata for the Reformation festival. However, its centr...
Alongside the more well-known cantata "Ein feste Burg ist unser Gott" BWV 80, "Gott, der Herr, ist Sonn und Schild" BWV 79 is Bach's only other cantata for the Reformation festival. However, its centr...
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Bach's Reformation cantata on what is probably Martin Luther's most famous hymn matured over many years. It began with a now lost Weimar cantata for Sunday Oculi 1716, which referred to the hymn with...
Bach's Reformation cantata on what is probably Martin Luther's most famous hymn matured over many years. It began with a now lost Weimar cantata for Sunday Oculi 1716, which referred to the hymn with...
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Bach wrote the cantata "Jesus sleeps, what shall I hope" BWV 81 for the 4th Sunday after Epiphany in 1724. The cantata is designed as a short drama: At the beginning, fear has the upper hand. The sea...
Bach wrote the cantata "Jesus sleeps, what shall I hope" BWV 81 for the 4th Sunday after Epiphany in 1724. The cantata is designed as a short drama: At the beginning, fear has the upper hand. The sea...
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Experience Johann Sebastian Bach’s comforting cantata “Ich bin ein guter Hirt” BWV 85 in a high-quality vocal score from the renowned Carus-Verlag. Composed for the Sunday Misericordias Domini (Good S...
Experience Johann Sebastian Bach’s comforting cantata “Ich bin ein guter Hirt” BWV 85 in a high-quality vocal score from the renowned Carus-Verlag. Composed for the Sunday Misericordias Domini (Good S...
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Bach composed the cantata Wahrlich, wahrlich, ich sage euch BWV 86 for Sunday Rogate 1724; in some respects a sister work to the cantata Wo gehest du hin BWV 166, which had been performed on the previ...
Bach composed the cantata Wahrlich, wahrlich, ich sage euch BWV 86 for Sunday Rogate 1724; in some respects a sister work to the cantata Wo gehest du hin BWV 166, which had been performed on the previ...
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In the cantata Was soll ich aus dir machen, Ephraim? written for the 22nd Sunday after Trinity in 1723, the biblical dictum that opens the cantata is not performed by the choir but by the solo bass. B...
In the cantata Was soll ich aus dir machen, Ephraim? written for the 22nd Sunday after Trinity in 1723, the biblical dictum that opens the cantata is not performed by the choir but by the solo bass. B...
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The cantata Es reißet euch ein schrecklich Ende BWV 90, composed for the 25th Sunday after Trinity in 1723, is, like some of the cantatas performed on previous Sundays, more of a chamber music piece....
The cantata Es reißet euch ein schrecklich Ende BWV 90, composed for the 25th Sunday after Trinity in 1723, is, like some of the cantatas performed on previous Sundays, more of a chamber music piece....
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The opening chorus of the cantata Christus, der ist mein Leben BWV 95, composed for the 16th Sunday after Trinity in 1723, is unique in Bach's oeuvre, with two different chorales interrupted by a teno...
The opening chorus of the cantata Christus, der ist mein Leben BWV 95, composed for the 16th Sunday after Trinity in 1723, is unique in Bach's oeuvre, with two different chorales interrupted by a teno...
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The hymn "Was Gott tut, das ist wohlgetan" is used three times as the opening movement of a Bach cantata: BWV 98-100. While BWV 99 and 100 are choral cantatas, the cantata for the 21st Sunday after Tr...
The hymn "Was Gott tut, das ist wohlgetan" is used three times as the opening movement of a Bach cantata: BWV 98-100. While BWV 99 and 100 are choral cantatas, the cantata for the 21st Sunday after Tr...
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