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Christmas Concert Works for Band

Discover a delightful selection of Christmas concert works for band that will bring the festive spirit to your performances. These compositions range from traditional carols to contemporary arrangements, perfect for showcasing the talents of your musicians. With pieces suitable for various skill levels, you can create a memorable holiday concert experience. Explore arrangements that highlight the unique sounds of different instruments, ensuring a rich and vibrant performance. Whether you're looking for something classic or modern, these works will enhance your band's repertoire and engage your audience during the holiday season.

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...

Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...

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Peter Iljitsch Tschaikowsky
4. Finale. Adagio lamentoso

The name 'Pathetique' for the last of Pyotr Ilych Tschaikowsky's six symphonies was suggested by the composer's brother the day after its premiere in 1893. And indeed the 'Finale' of this symphony is...

The name 'Pathetique' for the last of Pyotr Ilych Tschaikowsky's six symphonies was suggested by the composer's brother the day after its premiere in 1893. And indeed the 'Finale' of this symphony is...

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Peter Iljitsch Tschaikowsky
4. Finale. Adagio lamentoso

The name 'Pathetique' for the last of Pyotr Ilych Tschaikowsky's six symphonies was suggested by the composer's brother the day after its premiere in 1893. And indeed the 'Finale' of this symphony is...

The name 'Pathetique' for the last of Pyotr Ilych Tschaikowsky's six symphonies was suggested by the composer's brother the day after its premiere in 1893. And indeed the 'Finale' of this symphony is...

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Peter Iljitsch Tschaikowsky
4. Finale. Adagio lamentoso

The name 'Pathetique' for the last of Pyotr Ilych Tschaikowsky's six symphonies was suggested by the composer's brother the day after its premiere in 1893. And indeed the 'Finale' of this symphony is...

The name 'Pathetique' for the last of Pyotr Ilych Tschaikowsky's six symphonies was suggested by the composer's brother the day after its premiere in 1893. And indeed the 'Finale' of this symphony is...

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1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)

1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)

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Ottorino Respighi

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

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Ottorino Respighi

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

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Ottorino Respighi

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

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Ottorino Respighi

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

The Ouverture Carnevalesca was performed in Bologna on April 19th of the same year (1913) as part of a ten-city tour. The piece was written shortly before the Sinfonia drammatica (1914) and Ottorino R...

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Engelbert Humperdinck
Vorspiel

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

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Engelbert Humperdinck
Vorspiel

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

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Engelbert Humperdinck
Vorspiel

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

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Engelbert Humperdinck
Vorspiel

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

From its first performance, Engelbert Humperdinck's opera Hänsel und Gretel was a phenomenal succes, produces at over fifty theaters in its first year alone. This evergreen opera, based pon the Grimm...

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Léo Delibes
Flower Duet from the opera Lakme

Leo Delibes opera Lakme was first performed in 1883, the year after Richard Wagner's Parsifal, but it comes from an entirely different world. It is a thoroughly conservative opera, constructed from se...

Leo Delibes opera Lakme was first performed in 1883, the year after Richard Wagner's Parsifal, but it comes from an entirely different world. It is a thoroughly conservative opera, constructed from se...

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Léo Delibes
Flower Duet From The Opera Lakme

Leo Delibes opera Lakme was first performed in 1883, the year after Richard Wagner's Parsifal, but it comes from an entirely different world. It is a thoroughly conservative opera, constructed from se...

Leo Delibes opera Lakme was first performed in 1883, the year after Richard Wagner's Parsifal, but it comes from an entirely different world. It is a thoroughly conservative opera, constructed from se...

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Léo Delibes
Flower Duet from the opera Lakme

Leo Delibes opera Lakme was first performed in 1883, the year after Richard Wagner's Parsifal, but it comes from an entirely different world. It is a thoroughly conservative opera, constructed from se...

Leo Delibes opera Lakme was first performed in 1883, the year after Richard Wagner's Parsifal, but it comes from an entirely different world. It is a thoroughly conservative opera, constructed from se...

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Hector Berlioz
from the opera La Damnation de Faust

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

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Hector Berlioz
from the opera La Damnation de Faust

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. Due to his dramatic qualities the piece was also fitful for...

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Scott Joplin
from the opera Treemonisha

The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...

The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...

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Scott Joplin
from the Opera Treemonisha

The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...

The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...

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Scott Joplin
from the opera Treemonisha

The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...

The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...

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Joaquín Turina

Joaquin Turina (1882-1949) along with Granados, Albeniz and Manuel de Falla, was a defining voice in Spanish music. His music is typically very lyrical and deeply inspired by the rich musical heritage...

Joaquin Turina (1882-1949) along with Granados, Albeniz and Manuel de Falla, was a defining voice in Spanish music. His music is typically very lyrical and deeply inspired by the rich musical heritage...

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Joaquín Turina

Joaquin Turina (1882-1949) along with Granados, Albeniz and Manuel de Falla, was a defining voice in Spanish music. His music is typically very lyrical and deeply inspired by the rich musical heritage...

Joaquin Turina (1882-1949) along with Granados, Albeniz and Manuel de Falla, was a defining voice in Spanish music. His music is typically very lyrical and deeply inspired by the rich musical heritage...

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Joaquín Turina

Joaquin Turina (1882-1949) along with Granados, Albeniz and Manuel de Falla, was a defining voice in Spanish music. His music is typically very lyrical and deeply inspired by the rich musical heritage...

Joaquin Turina (1882-1949) along with Granados, Albeniz and Manuel de Falla, was a defining voice in Spanish music. His music is typically very lyrical and deeply inspired by the rich musical heritage...

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