Church Music for Orchestra
Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzungsangaben zu den Solopartien für hohe Stimme ist jeweils zue...
Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzungsangaben zu den Solopartien für hohe Stimme ist jeweils zue...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Piano Reduction
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...
Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
- Soloists (ATB), Mixed Choir (SATB) and Orchestra
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
- Soloists (ATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Angelika Tasler
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The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...
The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...
- Soloists (ATB), Mixed Choir (SATB) and Orchestra
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...
The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
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Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
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Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
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Bach's Mass in B minor is one of his largest and most ambitious works. It occupied the composer for over two decades: from the Sanctus (1724) to the "Missa" of 1733 and the supplementary Ordinary move...
Bach's Mass in B minor is one of his largest and most ambitious works. It occupied the composer for over two decades: from the Sanctus (1724) to the "Missa" of 1733 and the supplementary Ordinary move...
- Soloists (SSATB), Mixed Choir (SSAATTBB) and Orchestra
- Piano Reduction Download
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Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
- Soloists (SSATB), Mixed Choir (SSAATTBB) and Orchestra
- Piano Reduction
- Paul Horn
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Score (Urtext)
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Score (Urtext) Download
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Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
- Soloists, 2 Mixed Choirs (SATB) and Orchestra
- Piano reduction Download (Urtext)
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Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
- Soloists, 2 Mixed Choirs (SATB) and Orchestra
- Piano reduction Download (Urtext)
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Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
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Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...
Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Piano Reduction
- R. Larry Todd
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Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...
Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
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