Classical Choral Sheet Music

English Only. Translated by Martin.

English Only.

Italian/English. Translated by Machlis.

Daniel Pinkham (1923-2006) produced works in virtually every genre, primarily religious in nature. His Ave Maria is a short unaccompanied work for women's voices that displays his interest in plaincha...

I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowin...

I wrote this melody for choir and piano in 2006 on the poem by Charles Baudelaire. It is somewhat of an exception, as all my other vocal works are based on sacred texts. It was premiered by the choir...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

My music often stems from a desire to engage in dialogue, to compare it with ancient repertoires; these are often tributes to the repertoires that nourish me, and so we will find reminiscences of, and...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

The Pater Noster and the Ave Maria are written for a vocal ensemble with a minimum of 4 sopranos, 4 altos, 5 tenors and 4 basses. Both pieces are equally suited to concert performance (grouped or sepa...

Taken from my Trois Psaumes, this Psaume 115 is meant for the liturgy as well as for the concert. It was composed in 2011, for mixed voices and organ. The set of the Trois Psaumes was then recorded tw...

I testi poetici e i criteri di trascrizione; Il testo musicale: testimoni e criteri editoriali; Apparato critico

Details: equal voices choir

Details: narrator, choir (children or adults) and piano

Details: narrator, choir (children or adults) and piano

The 37 spiritual canticles constituting the collection by Charles de Courbes were published in 1622 by the music printer of Louis XIII, Pierre Ballard. They are varied polyphonies, covering all the as...

The 37 spiritual canticles constituting the collection by Charles de Courbes were published in 1622 by the music printer of Louis XIII, Pierre Ballard. They are varied polyphonies, covering all the as...

The 37 spiritual canticles constituting the collection by Charles de Courbes were published in 1622 by the music printer of Louis XIII, Pierre Ballard. They are varied polyphonies, covering all the as...

Le Dernier jour d'un condamné (The Last Day of a Condemned Man) is an opera in two acts and one intermezzo on a libretto by the three Alagna brothers, adapted from the eponymous novel Victor Hugo. Pub...

Le Dernier jour d'un condamné (The Last Day of a Condemned Man) is an opera in two acts and one intermezzo on a libretto by the three Alagna brothers, adapted from the eponymous novel Victor Hugo. Pub...

These poems by Heather Dohollau, taken from Point de rosée, take us to this "other country" where frontiers are burning, this "unbelievable place" where there is no limit between here and elsewhere, t...

These Trois Psaumes are meant for the liturgy as well as for the concert. They were written at rather distant times: in 1996 for the first two (equal-voice choir), and much later in 2011 for the last...

Concert animation of the picture book by Lisa Wenger.