Classical Modern Music Sheet Music for Mixed Choir

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

Bach composed the double-choir motet "Der Geist hilft unser Schwachheit auf" for the funeral of his direct superior, the rector of St. Thomas' School Johann Heinrich Ernesti, in 1729. Ernesti had held...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

The motet "Fürchte dich nicht, ich bin bei dir" has always caused headaches for Bach scholars. Nothing is known about the occasion and date of its composition and the musical text itself has only surv...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, Thomas cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part choral...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...

In 1684, for the funeral of St. Thomas's rector Jacob Thomasius, St. Thomas's cantor Johann Schelle set the text "Komm, Jesu, komm", written by Paul Thymich for the occasion, to music in a five-part c...