Classical Music (Baroque) Sheet Music for Orchestra

SOLO for Flute, Piccolo, Oboe, Clarinet, Bassoon, Saxophone (Soprano-Alto-Tenor), Trumpet, F Horn, Trombone, Euphonium, Tuba, Violin, Viola or Violoncello.

SOLO for Flute, Piccolo, Alto Recorder, Oboe, Clarinet, Bassoon, Soprano & Tenor Saxophone, F Horn, Violin, Viola, Violoncello & Orchestra.

SOLO for Flute, Piccolo, Alto Recorder, Oboe, Clarinet, Bassoon, Soprano & Tenor Saxophone, F Horn, Violin, Viola, Violoncello & Orchestra.

SOLO for Flute, Oboe, Clarinet, Soprano & Tenor Saxophone, F Horn, Violin, Viola & Orchestra.

SOLO for Flute, Oboe, Clarinet, Soprano & Tenor Saxophone, F Horn, Violin, Viola & Orchestra.

Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or 3rd clarinet) Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass) Keyboard Continuo for Chorale only:- Choir (SATB) [optional] Th...

George Frideric Handel's "Siroe, Re di Persia", HWV 24, was premiered on February 17, 1728 at the King's Theatre in London's Haymarket. With Francesca Cuzzoni, Faustina Bordoni and Francesco Bernardi,...

In the fourth volume of his “General History of Music”, Charles Burney's verdict on Handel's “Giustino” was as enthusiastic as it was prophetic: “Upon the whole, this opera, so seldom acted and so lit...

When the librettist Paolo Rolli and George Frideric Handel composed an Italian opera about Scipio's conquest of the Iberian port city of Carthago Nova in 1726, these events from 209 BC were already al...

Generalbassaussetzung: Thomas Hauschka

Rameau's "Io" has only survived posthumously, namely in the form of a copy of the score and the orchestral parts, both of which were produced in Rameau's successor generation from the now lost autogra...

This collection of the instrumental numbers from Zoroastre, a "Tragédie in five acts" includes the movements and dances of all the original versions, i.e. those of January and February 1756 (found in...

This collection of instrumental numbers from the "Tragédie in fünf Akten" Zoroastre brings together the movements and dances from all the original versions, i.e. those from January and February 1756 (...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

In 1768, Gluck was asked by Empress Maria Theresa to compose a festive opera in Parma on the occasion of the wedding of her daughter Maria Amalia to Ferdinand of Spain. The composer accepted the commi...

In 1768, Gluck was asked by Empress Maria Theresa to compose a festive opera in Parma on the occasion of the wedding of her daughter Maria Amalia to Ferdinand of Spain. The composer accepted the commi...

In Rameau's operatic oeuvre, "Io" is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector fr...

In Rameau's operatic oeuvre, "Io" is certainly the work surrounded by the most mystery: the acte de ballet has only survived in the form of a copy of the score and parts, which a collector from the ge...

Rameau's ballet-opera "Zéphire" is based on the legend of Zephire and Flora, as immortalized by Ovid in the fifth book of his "Fasti". Zéphire, the god of the west wind, loves Chloris, a forest nymph...