Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir and Orchestra

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...