Classical Romantic Music Sheet Music for Orchestra
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
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Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Score (Urtext)
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Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...
- Mixed Choir (STTTB) and Orchestra
- Set of Parts - Recorder, Oboe and Trumpet (Urtext)
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It is hard to imagine today that the music of J. S. Bach fell into oblivion for about half a century after the composer’s death. His successors at the Thomaskirche preferred simpler homophonic composi...
It is hard to imagine today that the music of J. S. Bach fell into oblivion for about half a century after the composer’s death. His successors at the Thomaskirche preferred simpler homophonic composi...
- Soloists (SSAATTBB), 2 Mixed Choirs (SATB) and Orchestra
- Score
- Felix Mendelssohn Bartholdy
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Michael Ostrzyga
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This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
This publication offers a source-critical edition of Mozart's fragmentary 'Requiem' as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, ident...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Harmony (Urtext)
- Michael Ostrzyga
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This edition offers both a source-critical edition of Mozart's Requiem fragment and an alternative to Süßmayr's traditional version. It enables the performance of (1) the fragment, which is identified...
This edition offers both a source-critical edition of Mozart's Requiem fragment and an alternative to Süßmayr's traditional version. It enables the performance of (1) the fragment, which is identified...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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- Michael Ostrzyga
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Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...
Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...
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- Set of Parts - Harmony (Urtext)
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The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...
The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...
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The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...
The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Harmony
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The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...
The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...
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> The tried-and-tested content of the complete edition volumes now in affordable soft-cover scores > Forewords in German and now also in English How practical! Towering masterpieces of choral music hi...
> The tried-and-tested content of the complete edition volumes now in affordable soft-cover scores > Forewords in German and now also in English How practical! Towering masterpieces of choral music hi...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Haydn's Mass in B-flat major, also known as the 'Creation Mass' was composed in 1801. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation...
Haydn's Mass in B-flat major, also known as the 'Creation Mass' was composed in 1801. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation...
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Haydn's Mass in B-flat major of 1799, nicknamed the 'Theresa Mass', is one of the six great Mass settings which, along with 'The Creation' and 'The Seasons', form the crowning glory of his vocal music...
Haydn's Mass in B-flat major of 1799, nicknamed the 'Theresa Mass', is one of the six great Mass settings which, along with 'The Creation' and 'The Seasons', form the crowning glory of his vocal music...
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), Organ and Orchestra
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Klavierauszug nach der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Klavierauszug
Klavierauszug nach der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Klavierauszug
- Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Martin Focke
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Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...
Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...
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Messe für Solostimmen, Chor und Orchester. Urtext der Neuen Bach-Ausgabe. - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Performance Material for sale = BA5102). Sopran so...
Messe für Solostimmen, Chor und Orchester. Urtext der Neuen Bach-Ausgabe. - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Performance Material for sale = BA5102). Sopran so...
- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score (Urtext)
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
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- Soloists (SSAATTBB), 2 Mixed Choirs (SATB) and Orchestra
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This volume offers a collection of individual sacred and secular vocal pieces that have come down to us under the name of Christoph Willibald Gluck. The selection of the works is premised on the assum...
This volume offers a collection of individual sacred and secular vocal pieces that have come down to us under the name of Christoph Willibald Gluck. The selection of the works is premised on the assum...
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> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...
> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...
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Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...
Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...
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- Score (Urtext)
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The St. John Passion, Bach's first passion oratorio, can hardly be understood as 'one' work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the comp...
The St. John Passion, Bach's first passion oratorio, can hardly be understood as 'one' work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the comp...
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- Score (Urtext)
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Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...
Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...
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- Set of Parts - Harmony (Urtext)
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