Classical Romantic Music Sheet Music for Orchestra
Just as the Payne/Elgar Symphony No. 3 is not Edward Elgar's definitive statement, Mahler did not complete a Symphony No. 10. He did, however, leave 'a work fully prepared in the sketch, ' the complet...
Just as the Payne/Elgar Symphony No. 3 is not Edward Elgar's definitive statement, Mahler did not complete a Symphony No. 10. He did, however, leave 'a work fully prepared in the sketch, ' the complet...
- Orchestra
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- G. Schirmer
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- Orchestra
- Instrumental Part: Cello
- Paul Glass
- G. Schirmer
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- Orchestra
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- G. Schirmer
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Charles Tomlinson Griffes (1884 - 1920) was an American composer, whose life was tragically cut short by influenza at the age of 35. His Poem For Flute And Orchestra (1919) was one of the last worksco...
Charles Tomlinson Griffes (1884 - 1920) was an American composer, whose life was tragically cut short by influenza at the age of 35. His Poem For Flute And Orchestra (1919) was one of the last worksco...
- Flute and Orchestra
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- G. Schirmer
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English Only.
- Orchestra
- Lyrics only
- G. Schirmer
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Two Pianos, Four Hands. 2 Copies needed to perform.
Two Pianos, Four Hands. 2 Copies needed to perform.
- 2 Pianos and Orchestra
- Instrumental Parts: Piano 1 Solo & Piano 2 Solo
- G. Schirmer
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- Mixed Choir (SATB) and Orchestra
- Score
- Clifford Bartlett
- Oxford University Press
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Vaughan Williams wrote his Symphony No. 8 between 1953 and 1955, when he was in his eighties. It is his shortest symphony, and is considered by many to be his least serious. Aside from a few sombre mo...
Vaughan Williams wrote his Symphony No. 8 between 1953 and 1955, when he was in his eighties. It is his shortest symphony, and is considered by many to be his least serious. Aside from a few sombre mo...
- Orchestra
- Study Score
- David Lloyd-Jones
- Oxford University Press
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This scholarly edition replaces the original 1958 edition, and includes detailed preliminary matter comprising a preface, sources and editorial method, and detailed textual notes. Orchestral material...
This scholarly edition replaces the original 1958 edition, and includes detailed preliminary matter comprising a preface, sources and editorial method, and detailed textual notes. Orchestral material...
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- Oxford University Press
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The one-act ballet Job has been described as one of Vaughan Williams's mightiest achievements. It is a work which, in a full production, combines painting, literature, music, and dance. The work was i...
The one-act ballet Job has been described as one of Vaughan Williams's mightiest achievements. It is a work which, in a full production, combines painting, literature, music, and dance. The work was i...
- Orchestra
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- Oxford University Press
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Originally the title for Vaughan Williams's opera Sir John in Love, Fat Knight was conceived as a seven-movement orchestral suite that drew upon the opera and had, as its central character, Shakespear...
Originally the title for Vaughan Williams's opera Sir John in Love, Fat Knight was conceived as a seven-movement orchestral suite that drew upon the opera and had, as its central character, Shakespear...
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- Oxford University Press
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This four-act comic opera celebrating Shakespeares Sir John Falstaff was given its first professional performance in 1946. The libretto, written by the composer, is based on The Merry Wives of Windsor...
This four-act comic opera celebrating Shakespeares Sir John Falstaff was given its first professional performance in 1946. The libretto, written by the composer, is based on The Merry Wives of Windsor...
- Voice and Orchestra
- Study Score
- Oxford University Press
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In this joyous and colourful piano concerto, John Rutter both reflects, and reflects upon, the many soundworlds and styles that have inspired him. The 40-minute work, in four movements, is virtuosic f...
In this joyous and colourful piano concerto, John Rutter both reflects, and reflects upon, the many soundworlds and styles that have inspired him. The 40-minute work, in four movements, is virtuosic f...
- Piano and Orchestra
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- Oxford University Press
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This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...
This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...
- Piano and Orchestra
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- Michael Bulley
- Symétrie
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ships within 1-2 weeks
This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...
This edition of the Concerto for piano in E flat major is based on the manuscript D-11708 (1) of the Bibliothèque nationale de France. The manuscript bundle comprises the individual parts for piano an...
- Piano and Orchestra
- Instrumental Part: Piano
- Michael Bulley
- Symétrie
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The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...
The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...
- Orchestra
- Instrumental Part: Piano
- Symétrie
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This score in two parts - Prologue and Epilogue -, with a specific libretto and requiring a staging, was commissioned by the Mozarteum University in Salzburg to provide a framework for the production...
This score in two parts - Prologue and Epilogue -, with a specific libretto and requiring a staging, was commissioned by the Mozarteum University in Salzburg to provide a framework for the production...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Study Score
- Elisabeth Gutjahr
- Symétrie
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With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...
With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...
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When Azémia ou Les Sauvages is created at the Comédie-Italienne in Paris on May 3rd, 1787, the opéra comique is a genre in full development, fostered by the uprising publishing industry, the travellin...
When Azémia ou Les Sauvages is created at the Comédie-Italienne in Paris on May 3rd, 1787, the opéra comique is a genre in full development, fostered by the uprising publishing industry, the travellin...
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The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...
The Second Concerto adopts the key of D minor for the first and third movements, and B flat major for the second. The fairly full orchestra consists of 2 flutes, 2 oboes, 2 bassoons, 2 horns and strin...
- Piano and Orchestra
- Study Score
- Symétrie
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ships within 1-2 weeks
During the French Revolution, the Consulate and the Empire, Méhul may have been the only major French composer to fully understand and assimilate the latest perfections of the music in his times. Taug...
During the French Revolution, the Consulate and the Empire, Méhul may have been the only major French composer to fully understand and assimilate the latest perfections of the music in his times. Taug...
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With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...
With Orfeo ed Euridice, Gluck stood against more than a century and a half of Italian tradition and became the unavoidable figure of the history of opera. In collaboration with Calzabigi, he refused t...
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In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...
In 1792, the political upheavals in Paris came along with an aesthetic revolution. Artists demonstrated a deliberate, at times opportunistic, attempt to turn their backs on the melodic refinements and...
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The first thing that stands out in the overture is the instrumentation, which includes two harps and a celeste. We hear these instruments, in an andante in 3/8, for 22 of the first 24 bars. Their timb...
The first thing that stands out in the overture is the instrumentation, which includes two harps and a celeste. We hear these instruments, in an andante in 3/8, for 22 of the first 24 bars. Their timb...
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- Michael Bulley
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Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...
Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...
- Orchestra
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- Olivier Balazuc
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