Classical Romantic Music Sheet Music for Orchestra

Faced with the evolution of the symphony prompted by Beethoven at the beginning of the 19th century, many composers turned away from this genre, considering his nine symphonies as an unsurpassable ide...

Far from being an isolated work in Camille Saint-Saens' production, Ivanhoé belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de R...

Far from being an isolated work in Camille Saint-Saens' production, Le Retour de Virginie (Virginia's Return) belongs to a small set written at the beginning of his career in the particular context of...

Hérold's second, and last, symphony, the 2nd Symphony in D major, was composed in Naples in May 1814. In a letter to his mother, the composer writes: "Many greetings to Mr. Méhul. I have just written...

Faced with the evolution of the symphony prompted by Beethoven at the beginning of the 19th century, many composers turned away from this genre, considering his nine symphonies as an unsurpassable ide...

Le Colporteur ou L'Enfant du bûcheron (The Peddler or The Lumberjack's Son) is the second of Onslow's three operas; it was composed in 1826 and first performed at the Opéra-Comique on 22 November 1827...

Far from being an isolated work in Camille Saint-Saens' production, Ivanhoé belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de R...

Far from being an isolated work in Camille Saint-Saens' production, Le Retour de Virginie (Virginia's Return) belongs to a small set written at the beginning of his career in the particular context of...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, Ode belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome....

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...

Far from being an isolated work in Max d'Ollone's production, Pendant la tempête belongs with L'Été, Hymne and Sous-Bois to a set of four chorus written in the particular context of the competition fo...

Around 1939, Max d'Ollone orchestrated Sposalizio, a piano piece from the second set of Franz Liszt's Years of pilgrimage (1858). It is his only known orchestration. The original work was inspired by...

The Piano Concerto in B minor op. 3 (MoszWV 160) was composed during his time in Berlin at the Neue Akademie der Tonkunst where Moszkowski became a teacher in 1872 while he was still a student. Togeth...

Hérold's second, and last, symphony, the 2nd Symphony in D major, was composed in Naples in May 1814. In a letter to his mother, the composer writes: "Many greetings to Mr. Méhul. I have just written...

Though listed in all d'Indy catalogues and biographies, the Italian Symphony had long remained unpublished. D'Indy was just 18 when he wrote these lines. When he obtained his French literature "Baccal...

Far from being an isolated work in Max d'Ollone's production, Hymne belongs with L'Été, Sous-Bois and Pendant la tempête to a set of four chorus written in the particular context of the competition fo...

Far from being an isolated work in Max d'Ollone's production, L'Été (Summer) belongs with Hymne, Dans la tempête and Sous-Bois to a set of four chorus written in the particular context of the competit...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...