Classical Romantic Music Sheet Music for Orchestra

Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

This separately published Critical Report offers comprehensive information on the genesis, transmission, sources and readings of the works edited in this volume.

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The previously available performance material for Dvorák's sunny, cheerful Symphony No. 8 is notorious for its errors. The editor Jonathan Del Mar has taken on this comprehensive task of correction. H...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

The symphony "From the New World", a jewel of symphonic literature, is finally available in a reliable, scholarly-critical edition. Once again, editor Jonathan Del Mar brings clarity to the complex we...

Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...

Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...

'I can't remember when another work made a more lively, beautiful impression on me' - this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered...