Classical Romantic Music Sheet Music for Orchestra

La Cenerentola (Cinderella) is based on the fairy tale Cendrillon by Charles Perrault. Gioachino Rossini (1792-1868) composed La Cenerentola at age 25 following the success of his opera The Barber of...

One of the most popular ballets, Pyotr Ilich Tchaikovsky (1840-1893) composed Swan Lake in 1875-76. Tchaikovsky borrowed from the Russian and German folk tales to tell the of story a princess, Odette,...

Ariane et Barbe-bleue: Act III, Introduction forms part of Paul Dukas' (1865-1935) only completed opera, composed between 1899 and 1906, and premiered on May 10, 1907, at the Opéra-Comique in Paris. D...

LOHENGRIN, first performed in 1850, is a Romantic opera in three acts, written by Richard Wagner (1813-1883). Based on the legendary 13th century romance of Lohengrin, a knight of the Holy Grail, who...

Diane et Endymion is a tragédie lyrique in three acts about the mythological love story of the goddess Diana for the shepherd Endymion. The libretto written by the almost unknown Jean-François Espic c...

The prelude to the opera "Lohengrin", which premiered in Weimar in 1850 and marks the transition from Wagner's romantic opera to through-composed music drama, represents a special developmental step a...

When Carl Maria von Weber composed the overtura to "Der Freischütz" in May 1820, it was the final musical building block for his opera. In this respect, Weber was able to perfectly trace and condense...

Der Band enthält das Vorwort zur Werkgenese, die Besetzungsangaben mit Angabe des Stimmumfangs, den Editionsartikel, Hinweise zur Aufführungspraxis und den Fassungsartikel. Dem Notentext folgt der Rev...

Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...

Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effecti...

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...

Bruckner’s mighty "Mass in F minor" is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...

Bruckner’s mighty "Mass in F" minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic "T...

Das etwa Te Deum von 1832 überzeugt durch rasche Ausdruckswechsel und warme Orchesterfarben. Chöre, auch für Doppelchor, wechseln mit Arien und Solistenensembles, weiche Holzbläserklänge und obligate...

Das Requiem von Gabriel Fauré liegt bei Carus in zwei Fassungen vor, der 1900 abgeschlossenen 'sinfonischen Fassung' sowie einer rekonstruierten Fassung mit kleinem Orchester von 1889. - kritische Aus...

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...

Psalm texts inspired Mendelssohn throughout his career, and he left behind five large orchestral psalms in addition to a cappella movements.

Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...

Elijah is regarded as a milestone in Mendelssohns compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year be...

Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...