François Saint-Yves

Les Boréades was actually intended to be performed at the Théâtre de Choisy in Paris in 1763 at the end of the Seven Years' War to celebrate the conclusion of peace. However, after two rehearsals with...

It tells the love story between Fatima, who is accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of...

> Detailed historical Introductions (Fr/Eng) > Practical keyboard reductions based on Opera Omnia Rameau > Each number is preceded by a brief outline of the dramatic situation and an English translati...

This volume contains all the great monologues, arias and ariettas which Rameau composed for 'grand dessus' and which are sung by sopranos and mezzo-sopranos today. Arias for soprano and mezzo-soprano...

The new edition of the "Indes galantes" within the "Opera Omnia Rameau" (OOR IV.2, 7) restores in the main part of the score the version as authorized by Rameau in 1736. This fundamental editorial dec...

The ballet "Les Fêtes d'Hébé" deals with those talents that are usually thematized at the Opéra and placed on stage in the service of love: poetry and declamation (1st entrée, "La Poésie"), the art of...

Actually, "Les Boréades" was supposed to be performed in 1763 at the Théâtre de Choisy in Paris after the end of the Seven Years' War on the occasion of the celebrations of the peace treaty. But after...

This volume contains the first half of the great monologues, arias and ariettas for lyrical soprano from the following operas by Rameau: Acanthe et Céphise (Céphise) > Anacréon (Chloé) > Castor et Pol...

Rameaus 'Hippolyte et Aricie' führt große Verwirrungen unter Nymphen und Göttern vor. Die Oper ist ein faszinierendes Meisterwerk einer Tragédie en musique des französischen Barockkomponisten, die Par...

> Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen > First practical performing edition with a keyboard reduction > Based on the complete edition Opera Omn...

> Baroque opera in honour of the conciliation of Europe on the occasion of the Treaty of Aachen > First practical performing edition with a keyboard reduction > Based on the complete edition Opera Omn...

Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...

Of the two main versions of Rameau's stage works such as "Dardanus" (1739, 1744), "Platée" (1745, 1749) and "Zoroastre" (1749, 1756), none fell into oblivion for as long as "Castor et Pollux". First p...

Richer than ever - Rameau's 'Zoroastre' in the version of 1756 Rameau's revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...

Richer than ever - Rameau's "Zoroastre" in the 1756 version Rameau's revised version of his opera "Zoroastre", which was performed and heard at the Académie royale de musique between January 20, 1756...

In Rameau's operatic oeuvre, "Io" is certainly the work surrounded by the most mystery: the acte de ballet has only survived in the form of a copy of the score and parts, which a collector from the ge...

Rameau's ballet-opera "Zéphire" is based on the legend of Zephire and Flora, as immortalized by Ovid in the fifth book of his "Fasti". Zéphire, the god of the west wind, loves Chloris, a forest nymph...

Rameau's ballet opera "Zéphire" is based on the legend of Zephire and Flora, as immortalized by Ovid in the fifth book of his "Fasti". Zéphire, the god of the west wind, loves Chloris, a wood nymph of...

It tells the love story between Fatime, accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of Castile...

> Detailed historical Introductions (Fr/Eng) > Well-presented idiomatic piano reduction based on Rameau's 'Opera Omnia' > Each number is preceded by a brief account of the dramatic situation and an En...

Volume 3 for soprano contains the first half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today's lyric coloratura soprano) in his prolo...

This volume contains half of the great monologues, arias and ariettas which Rameau composed for 'haute-contre' and which are sung by high tenors today. Arias for haute-contre (tenor) from the operas '...