François Saint-Yves

This volume contains half of the great monologues, arias and ariettas which Rameau composed for 'haute-contre' and which are sung by high tenors today. Arias for haute-contre (tenor) from the operas '...

> Detailed historical Introductions (Fr/Eng) > Well-presented idiomatic piano reduction based on Rameau's 'Opera Omnia' > Each number is preceded by a brief account of the dramatic situation and an En...

Bass solo, Sopran solo, Alt solo, Alt solo, Gemischter Chor, Orchester

To this day, neither a historical nor a modern edition of this pretty one-act opera by Rameau, which was premiered in 1754 at the Fontainebleau Theatre, exists. The patchy source material made it nece...

Die erste Fassung von 'Dardanus', die Ende 1739 zur Aufführung kam, entstand offenbar innerhalb von nur sechs Monaten und markiert in Rameaus Laufbahn eine besonders produktive Phase: In einem Zeitrau...

Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...

Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it poss...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act play "La Naissance d'Osiris" was only performed twice, together with revivals of "Pigmalion" and "Les Incas...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

After "Hippolyte et Aricie" and "Castor et Pollux", "Dardanus" is Rameau's third tragédie lyrique for Paris. With its multifaceted music, it is an absolute highlight of this genre. The new critical ed...

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental part...

This piano reduction supplements the performance material for Rameau's comédie-ballet "Les Paladins". In view of the wealth of its musical treasures and the stylistic innovations - similar to the "Bor...

Pygmalion is the earliest one-act ballet, introduced by an overture, that was created for the Académie royale de musique. With this piece, Rameau turned to the form of the "petit opéra". From its firs...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet "Les Fêtes d'Hébé" deals with those talents that are usually thematized at the Opéra and placed on stage in the service of love: poetry and declamation (1st entrée, "La Poésie"), the art of...

Band / Reihe: Jean-Philippe Rameau. Opera Omnia (OOR) IV/5. Leinen

Immerse yourself in the magic of the French High Baroque with Jean-Philippe Rameau’s brilliant masterpiece "Zaïs" (RCT 60) from 1748. This extraordinary ballet héroïque in a prologue and four acts tra...

Die pastorale héroïque Daphnis et Églé wurde nur einmal, am 29. Oktober 1753 zur Unterhaltung von König Ludwig XV. auf Schloss Fontainebleau aufgeführt und ist bis zum heutigen Tag unveröffentlicht ge...