Classical Sheet Music for Orchestra

No.1: 2 flutes, 2 oboes, 2 bassoons, 2 trumpets in D, timpani in D and A, violin 1, violin 2, violoncello/contrabass - No.2: 2 flutes, 2 oboes, 2 bassoons, 2 horns in G, violin 1, violin 2, violoncell...

orch 8'

edited by Martin Schmeling

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

The new edition is based on the autograph and contemporary voice material as authentic sources.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

Schumann, The Symphonies 5 study scores in slipcase

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

Well-founded re-evaluated Can there still be new readings compared to traditional editions? This is the question that editor Clive Brown has addressed, meticulously scrutinizing the often contradictor...

The authentic new edition: text-critical and complete available for purchase (only edition with choral score and a historically legitimized piano reduction by Josef Zubaty)

With the performance materials for the Mendelssohn Complete Edition (LMA), the publisher fulfills its announcement to draw consequences as soon as possible after the publication of a complete edition...

Cliff Eisen is responsible for a secure original text based on the autograph and knowledge of historical performance practice. Andrew Manze completes the edition with his instrumentally appropriate an...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)