Classical Sheet Music

Singers will love the independent vocal lines in this bright setting of Emily Dickinson's hopeful poem. A lovely melody is introduced in unison and later assembles in canon. Radiant refrains are drive...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

In the dark of night, we are the light - an inspiring concert theme for any time of year. Rich long-tone sonorities lay the foundation for what becomes a brilliantly textured second verse when the alt...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

This joyful poem by Langston Hughes uses spring rain as a metaphor for hope and celebrates renewal. Listen for gentle syncopations, a sculpted melodic contour, and a variety of choral textures that fl...

Handel set the myth of the love of the shepherd Acis for the sea nymph Galatea from Ovid's Metamorphoses a total of three times: in the cantata "Aci, Galatea e Polifemo" HWV 72 (1708), the masque "Aci...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...

Sopran solo (2), Alt solo, Tenor solo (2), Bsolo, Gemischter Chor-SSATB, Trompete (2), Streicher, Basso continuo - Klavierauszug

English Masque in 3 parts. Piano reduction based on the Urtext of the Halle Handel Edition (English/ German) - Vocal Score based on the Urtext of the Halle Handel Edition (English/ German). Soprano so...

Sopran solo (2), Mezzosopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn (2), Streicher, Basso continuo - Klavierauszug; Gesamtausgabe; Urtextausgabe V o k A l m u s i...

Imeneo was performed for the first time on November 22, 1740 at the theater in Lincoln's Inn Field in London; a second performance took place on December 13, 1740. In contrast to the variety of events...

Melodrama in three acts (1852/1853) Libretto: Francesco Maria Piave (after Alexandre Dumas the Younger's novel "La Dame aux camélias" from 1848 in his stage adaptation from 1852) (Italian) Premiere: 6...

Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lo...

Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lo...