Classical Sheet Music

The main theme of "Benedictus Dominus" by Dariusz Zimnicki (composer and professor of conducting and choral singing in Warsaw) is simple and yet captivates with its melodic appeal. It develops continu...

The main theme of "Benedictus Dominus" by Dariusz Zimnicki (composer and professor of conducting and choral singing in Warsaw) is simple and yet captivates with its melodic appeal. It develops continu...

So sangen die Parzen, die Schicksalsgöttinnen der griechisch-römischen Mythologie: Von Fluch und Schicksal handelt das Parzenlied in Goethes Versdrama "Iphigenie auf Tauris", das zur Vorlage für Johan...

With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...

What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...

What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...

What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...

The three great motets Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed between 1713 and 1715, have remained relatively unknown to this day. And yet these mot...

The Missa secunda was composed in 1964. It is dedicated by the composer "to my dear wife Margit on the occasion of our 25th wedding anniversary". The Sanctus was composed later. The Credo is not set t...

Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...

How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...

How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...

How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...

How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...

How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...

One of the most important mass compositions of the pre-classical period and also one of the earliest examples of the "Mannheim" symphonic church style. First edition of the work.

Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime, as the large number of copies shows. This also applies to the Missa Sancti Dominici, which...

Die Ausgabe Zur Opéra-comique Carmen entstanden insgesamt zehn Fassungen, von Georges Bizets erster Niederschrift 1874 bis zum Erstdruck der Partitur 1877. Im Zuge jahrelanger Grundlagenforschung erga...

AD: abendfüllend Libretto: Lorenzo da Ponte Übersetzung: dt. (H. Levi) Ort: Neapel, um 1780 Personen: Fiordiligi (Sopran) - Dorabella (Mezzosopran) - Guglielmo (Bariton) - Ferrando (Tenor) - Despina (...

Text: da Ponte, L. Soli: SSSSSSATTBBBB - Chor: SSATB - 2.2.2(Bassetthn).2. - 2.2.0.0. - Pk - Str - (Levi, H. / Klengel, P.) ital-dt

Soli: SSSTBarBBB - Chor: SATB - 2.2.2.2. - 2.2.3.0. - Pk - Mand - Str / BM: 2Ob. 2Hn. Str. Text: da Ponte, L.