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Concert Band Sheet Music from Baton Music

Johann Strauss (Sohn)

The Fledermaus-Polka is one of six dance arrangements on themes from Johann Strauss' operetta "Die Fledermaus". It received its première in 1874 at the Theater an der Wien and according of the newspap...

The Fledermaus-Polka is one of six dance arrangements on themes from Johann Strauss' operetta "Die Fledermaus". It received its première in 1874 at the Theater an der Wien and according of the newspap...

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Johann Strauss (Sohn)
Opus 117

Strauss composed the 'Annen-Polka' in 1852 to celebrate the day of St. Anne. This polka was quite popular right from its premiere in 1852 when the Viennese newspapers reported as follows: 'Johann Stra...

Strauss composed the 'Annen-Polka' in 1852 to celebrate the day of St. Anne. This polka was quite popular right from its premiere in 1852 when the Viennese newspapers reported as follows: 'Johann Stra...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Johann Strauss (Sohn)
from the Operetta 'Die Fledermaus' for Baritone and Wind Ensemble

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The Melodram is sung by Frank, governor of the prison, at the very begi...

Beside his 150 waltzes Johann Strauss composed several operettas of which Die Fledermaus his best contribution to this genre is. The Melodram is sung by Frank, governor of the prison, at the very begi...

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Order no.: BTM685-DL
Camille Saint-Saëns

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

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Order no.: BTM1254

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

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Camille Saint-Saëns

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

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Order no.: BTM1254SC

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...

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Emanuel Alexis Chabrier
for Horn and Orchestra

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

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Order no.: BTM1251
Emanuel Alexis Chabrier
for Horn and Orchestra

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

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Emanuel Alexis Chabrier
for Horn and Orchestra

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

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Order no.: BTM1251SC
Emanuel Alexis Chabrier
for Horn and Orchestra

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

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Traditionell
for Clarinet and Symphonic Concert Band

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

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Order no.: BTM1308
Traditionell
for Clarinet and Symphonic Concert Band

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

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Traditionell
for Clarinet and Symphonic Concert Band

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

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Order no.: BTM1308SC
Traditionell
for Clarinet and Symphonic Concert Band

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

The doina is a Romanian musical tune style, possibly with Middle Eastern roots, customary in Romanian peasant music, lautareasca music as well adopted into klezmer music. The peasant doinas are mostly...

  • Concert Band (Solo/Feature: Clarinet)
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Edvard Grieg
from Peer Gynt

In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...

In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...

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  • Christiaan Janssen
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Order no.: BTM1340-DL
Edvard Grieg
from Peer Gynt

In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...

In 1876, Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suit...

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