Concert Band Sheet Music from Baton Music
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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- Jos van de Braak
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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- Jos van de Braak
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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- Jos van de Braak
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Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
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- Roger Niese
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Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
- Concert Band
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- Roger Niese
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available | Delivered by e-mail by the publisher
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Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
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- Roger Niese
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ships within 1-2 weeks
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Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
Franz Lehár's 'Scène phantastique' from 'Ein Märchen aus 1001 Nacht' offers a magical journey into the world of the Arabian Nights. Composed early in his career, this work showcases Lehár's innate gif...
- Concert Band
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- Roger Niese
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available | Delivered by e-mail by the publisher
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Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
- Concert Band (Solo/Feature: Cello)
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- Simon Scheiwiller
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Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
- Concert Band (Solo/Feature: Cello)
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- Simon Scheiwiller
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Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
- Concert Band (Solo/Feature: Cello)
- Score and Parts
- Simon Scheiwiller
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Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
Camille Saint-Saëns composed the 'Cello Concerto No. 1' in A minor, Op. 33, in 1872, when he was 37 years old. The concerto has a unique structure, as it consists of one continuous movement with three...
- Concert Band (Solo/Feature: Cello)
- Score
- Simon Scheiwiller
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Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
- Concert Band (Vocal Solo (High Voice))
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- Roger Niese
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Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
- Concert Band (Vocal Solo (High Voice))
- Score Download
- Roger Niese
- Baton Music
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available | Delivered by e-mail by the publisher
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Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
- Concert Band (Solo/Feature: Trumpet)
- Score
- Roger Niese
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Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
Mexican composer Augustin Lara (1897- 1970) was mainly a composer of songs used in movies and cabarets. It is said that Lara never learned musical notation. In total he wrote more than 700 songs. By t...
- Concert Band (Solo/Feature: Trumpet)
- Score Download
- Roger Niese
- Baton Music
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available | Delivered by e-mail by the publisher
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As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif hi...
As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif hi...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score and Parts
- Douglas McLain
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As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif hi...
As a composer Franz Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to gif hi...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Douglas McLain
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
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- Egbert van Groningen
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Egbert van Groningen
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score and Parts
- Jos van de Braak
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The duet 'Trinke Liebchen, trinke schnell' is sung by Alfredo and Ros...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Jos van de Braak
- Baton Music
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ships within 1-2 weeks
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score and Parts
- Jos van de Braak
- Baton Music
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-
ships within 1-2 weeks
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The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
The operetta 'Wiener Blut' is set against the Vienna of the early nineteenth century, during the Congress of Vienna. At that time, the Biedermeier city was poised to become a pulsing metropolis, a cul...
- Concert Band (Solo/Feature: 2 Voices (high))
- Score
- Jos van de Braak
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ships within 1-2 weeks
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'Der Zigeunerbaron' is Strauss's second most popular operetta after 'Die Fledermaus'. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to...
'Der Zigeunerbaron' is Strauss's second most popular operetta after 'Die Fledermaus'. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to...
- Concert Band, Medium Voice and Mixed Choir
- Score and Parts
- Jos van de Braak
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