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Concert Marches for Concert Band

Concert marches for concert band are a vibrant and essential part of the repertoire, showcasing the dynamic capabilities of wind ensembles. These compositions often blend traditional march elements with contemporary harmonies and rhythms, creating an engaging listening experience. Renowned composers such as John Philip Sousa and Karl King have contributed timeless pieces that continue to resonate with audiences today. Concert marches not only highlight the technical skills of musicians but also serve as a celebration of community and spirit during performances. With their lively tempos and memorable melodies, concert marches remain a staple in concert band programs, appealing to both performers and listeners alike.
Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Felix Mendelssohn Bartholdy

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

About Mendelssohn's oratorio Elias The Times said: 'Never was there a more complete triumph - never a more thorough and speedy recognition of a great work of art.' The libretto of Elijah is most skilf...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

Most of Mozart's solo horn music was composed between 1781 and 1789 for his friend and fellow freemason, Ignaz Leutgeb, an accomplished player from Salzburg who continued to perform after setting up a...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Order no.: BTM146SC
Charles Gounod
Aux Chapelles

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

The Messe breve no.7 'Aux Chapelles', in C major dates from the 1890's. With its purity of line and transparent polyphony, its melodic simplicity and the economy of its modulations, the Messe breve no...

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Dmitri Schostakowitsch
Suite

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

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Dmitri Schostakowitsch
Suite

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

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Dmitri Schostakowitsch
Suite

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

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Order no.: BTM147SC
Dmitri Schostakowitsch
Suite

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

Dmitri Shostakovich' opera Lady Macbeth of the Mtsensk District was with more than 200 performances very succesful in as well Russia as abroad. But in 1936 Stalin attended a performance and it was imm...

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Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

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Order no.: BTM148

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

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Order no.: BTM148-DL

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

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Order no.: BTM148SC

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

Johann Sebastian Bach composed the first part of Das Wohltemperierte Klavier in 1722 while he was Kapellmeister to Prince Leopold at the court of Cöthen. The somewhat unusual title is based on the dis...

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Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

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Order no.: BTM149

Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

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Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

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Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

Don Carlo (1867) composed in the middle-period of Giuseppe Verdi's musical career, - nowadays mostly played in Italian - originally was written as a French 'Grand Opera'.Giuseppe Verdi at that time wa...

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Sir William Turner Walton

The Prelude and Fugue from The Spitfire (1942) by William Walton had its origin in music for the film The first of the few, a tribute to R.J.Mitchell, designer of the Spitfire, by Leslie Howard .The s...

The Prelude and Fugue from The Spitfire (1942) by William Walton had its origin in music for the film The first of the few, a tribute to R.J.Mitchell, designer of the Spitfire, by Leslie Howard .The s...

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Order no.: BTM150