Easter Music Sheet Music for Mixed Choir: Extensive Selection

Whitbourn's setting of the Magnificat And Nunc Dimittis for mixed chorus with Tenor solo also includes parts for Organ and optional Tam Tam percussion. The setting was first performed at King's Colleg...

Coro SATB, Org

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

The German-Italian composer and Rheinberger pupil Ermanno Wolf-Ferrari was very successful with his comic operas at the beginning of the 20th century. His early work "Die neugierigen Frauen" premiered...

Responsorium in der Nocturn am Karfreitag Das Karfreitags-Responsorium 'Tenebrae factae sunt' für sechsstimmigen Chor entstand 2012 als Auftragskomposition für den Peking University Student Choir und...

Hope is Easter music for mixed choir, alto saxophone, piano, bass and percussion by the Danish composer John Høybye, who enjoys high recognition as a (choral) conductor, arranger and composer far beyo...

The Requiem "Light Shines in the Darkness" is a composition for viola solo and mixed choir. John Høybye sets a text by Edward Broadbridge to music. The predominantly English-language poem contains Lat...

The Requiem "Light Shines in the Darkness" is a composition for viola solo and mixed choir. John Høybye sets a text by Edward Broadbridge to music. The predominantly English-language poem contains Lat...

Das Gotteslob bietet eine Fülle an Möglichkeiten zur Feier der Tagzeitenliturgie in der Gemeinde. Auch mit dem dritten Chorheft regen die Herausgeber zu lebendigen Gottesdiensten an, die gemeinsam von...

Die Chorhefte „Tagzeitenliturgie mit dem Gotteslob“ erschließen den reichen Schatz des Kapitels „Tagzeitenliturgie“ im Gotteslob. Sie regen zu lebendigen Gottesdiensten an, die gemeinsam von Chor und...

Experience a monumental pinnacle of sacred vocal music: "Musikalische Exequien I–III" unfolds an incomparable emotional depth and sonic splendour. This extraordinary composition captivates audiences a...

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

The Stabat Mater is Giuseppe Verdi's last work. The composer completed it in 1897 at the age of 84. A year later, the Stabat Mater appeared in print together with the slightly older Te Deum as part of...

Among Verdi's numerous compositions, the Messa da Requiem remains unique as a work of sacred music. It was composed as a musical memorial to the Italian national poet Alessandro Manzoni, whom Verdi de...

Gabriel Fauré's Requiem is the key work among the French master's sacred compositions. The work was already a success with the public during the composer's lifetime and remains so to this day. Due to...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“, schreibt Robert Schumann im Januar 1851 - und das, obwohl er bis dato kaum als Komponist geistlicher Musik...

The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The starting point of the text is the Easter Gospel with the resurrection of Jesus, which is first celebrated extensively. This is followed by an appeal to the faithful: Every single Christian must ta...