Easter Music Sheet Music: Sounds of Passion and Resurrection
Das Oratorium "Die Festzeiten" op. 66 ist kein ganzheitliches Oratorium im klassischen Sinne, sondern eher eine Sammlung von acht Kantaten (von Loewe "Teile" genannt), zu den jeweiligen Hauptfesten ko...
Das Oratorium "Die Festzeiten" op. 66 ist kein ganzheitliches Oratorium im klassischen Sinne, sondern eher eine Sammlung von acht Kantaten (von Loewe "Teile" genannt), zu den jeweiligen Hauptfesten ko...
- Soloists, Choir and Orchestra
- Score
- Musikverlag Christoph Dohr
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The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music...
The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music...
- Soloists, Choir and Orchestra
- Harmony Parts
- Schott Musik
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The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music...
The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music...
- Solos, Mixed choir (SATB) and Orchestra
- Score Download
- Schott Musik
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- Solo, Choir and Orchestra
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- Edizioni Suvini Zerboni
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Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...
Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ
- Edwin F. Kalmus
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Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
- Soloists (SB), Mixed Choir and Orchestra
- Score
- Edwin F. Kalmus
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Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
- Soloists (SB), Mixed Choir and Orchestra
- Instrumental Part: Organ
- Edwin F. Kalmus
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George Whitefield Chadwick (1854-1931) was an American composer. Along with John Knowles Paine, Horatio Parker, Amy Beach, Arthur Foote, and Edward MacDowell, he was among those composers in what is c...
George Whitefield Chadwick (1854-1931) was an American composer. Along with John Knowles Paine, Horatio Parker, Amy Beach, Arthur Foote, and Edward MacDowell, he was among those composers in what is c...
- Orchestra
- Instrumental Part: Cello
- Wallace Goodrich, Russ Girsberger
- Edwin F. Kalmus
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Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
Gabriel Fauré "Requiem" is the best known of the composer's large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way o...
- Soloists (SB), Mixed Choir and Orchestra
- Study Score
- Edwin F. Kalmus
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Sopran solo, Tenor solo (Evangelist), Bass solo, Chor, Orchester, Orgel, Sprecher Der Evangelisch-Reformierten Kirche Heiligkreuz-St. Gallen zu ihrem 100-jährigen Bestehen (2012/13)
Sopran solo, Tenor solo (Evangelist), Bass solo, Chor, Orchester, Orgel, Sprecher Der Evangelisch-Reformierten Kirche Heiligkreuz-St. Gallen zu ihrem 100-jährigen Bestehen (2012/13)
- Soloists, Choir, Narrator, Organ and Orchestra
- Score
- Laurentius-Musikverlag
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Sopran solo, Tenor solo (Evangelist), Bass solo, Chor, Orchester, Orgel, Sprecher Der Evangelisch-Reformierten Kirche Heiligkreuz-St. Gallen zu ihrem 100-jährigen Bestehen (2012/13)
Sopran solo, Tenor solo (Evangelist), Bass solo, Chor, Orchester, Orgel, Sprecher Der Evangelisch-Reformierten Kirche Heiligkreuz-St. Gallen zu ihrem 100-jährigen Bestehen (2012/13)
- Soloists, Choir, Narrator, Organ and Orchestra
- Piano Reduction
- Laurentius-Musikverlag
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Left unfinished at the time of his death, Wolfgang Amadeus Mozart's (1756-1791) REQUIEM MASS in D minor, K. 626 remains among the composer's most recognizable works and is a major part of the choral r...
Left unfinished at the time of his death, Wolfgang Amadeus Mozart's (1756-1791) REQUIEM MASS in D minor, K. 626 remains among the composer's most recognizable works and is a major part of the choral r...
- Soloists (SATB), Mixed Choir and Orchestra
- Study Score
- Franz Xaver Süßmayr
- Edwin F. Kalmus
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- Orchestra
- Score and Parts
- Brant Adams
- Lorenz Corporation
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The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Zink 1 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Zink 2 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
- Soloists, Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
- Soloists, Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days