Erik Somers: Intermediate Sheet Music

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

Reverie is one of Scriabin's earliest orchestral works, dating from 1898. Its languid movement and drifting chromatics straight away establish the atmosphere of dreamy sensuality, which permeates so m...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

The intermezzo is the fifth movement of the original suite of Aram Khachaturian's music to Lope Felix de Vega Carpio's Spanish comedy The Valencian Widow.A somber dramatically opening leads to a slowe...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

Non ti scordar di me, is one of De Curtis' later songs, written in 1935 for a movie of the same title, featuring the tenor, Beniamino Gigli, who helped make many Italian songs famous. Unlike a majorit...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

The Havanaise in E major Opus 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by Camille Saint-Saëns. The havanaise (habañera in Spanish) is a dance in 2/4...

Paul Dukas (1865-1935) wrote his 'Villanelle' as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated...

Paul Dukas (1865-1935) wrote his 'Villanelle' as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated...

Paul Dukas (1865-1935) wrote his 'Villanelle' as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated...

Paul Dukas (1865-1935) wrote his 'Villanelle' as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated...

(Wind Ensemble (2 fl, 2 ob, 2 cl, 2 bs, 3 hn, cello, string bass))

(Wind Ensemble (2 fl, 2 ob, 2 cl, 2 bs, 3 hn, cello, string bass))

(Wind Ensemble (2 fl, 2 ob, 2 cl, 2 bs, 3 hn, cello, string bass))

(Wind Ensemble (2 fl, 2 ob, 2 cl, 2 bs, 3 hn, cello, string bass))

(Wind Ensemble (solo oboe, 2 fl, 2 cl, 2 bs, 3 hn, cello, string bass))