Gabriel Fauré: Intermediate Sheet Music

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

The Elegie in its original form for cello and piano dates from 1880 and seems to have been intended as the slow movement of a larger work. Faure orchestrated the piano part in 1895 and the work became...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

'Pelléas et Mélisande', Opus 80 is a suite derived from incidental music by French composer Gabriel Fauré (1845-1924) for Maurice Maeterlinck's play of the same name. The 'Sicilienne' (Allegro molto m...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

24 Seiten.

36 Seiten.

16 Seiten.

With this early cycle (1863/64), Fauré follows in the footsteps of Mendelssohn's "Lieder ohne Worte" (Songs without Words) whilst at the same time enrolling into the French tradition of the "Romance s...