Intermediate Cantata Sheet Music

Kantate zum Sonntag Rogate. Soli ATB, Coro SATB, Ob/Obca, Obca, Str, Org

Kantate zum 5. Sonntag nach Trinitatis. Soli SATB, Coro SATB, 2 Cor, 2 Obda, Taille (Eh), Str, Org - Tonart D-Dur / h-Moll

In the cantata Was soll ich aus dir machen, Ephraim? written for the 22nd Sunday after Trinity in 1723, the biblical dictum that opens the cantata is not performed by the choir but by the solo bass. B...

The cantata Es reißet euch ein schrecklich Ende BWV 90, composed for the 25th Sunday after Trinity in 1723, is, like some of the cantatas performed on previous Sundays, more of a chamber music piece....

Kantate zum Sonntag Septuagesimae. Soli SATB, Coro SATB, 2 Obda,2 Vl, Va, Bc, Org

Kantate zum 9. Sonntag nach Trinitatis. Soli SATB, Coro SATB, Fl, 2 Ob/2 Obda, Str, Org

The opening chorus of the cantata Christus, der ist mein Leben BWV 95, composed for the 16th Sunday after Trinity in 1723, is unique in Bach's oeuvre, with two different chorales interrupted by a teno...

Kantate zum 18. Sonntag nach Trinitatis. Soli SATB, Coro SATB, [Cto, Trb], Blfl f2, Fl, 2 Ob, (Vl pic), Str, Org

The hymn "Was Gott tut, das ist wohlgetan" is used three times as the opening movement of a Bach cantata: BWV 98-100. While BWV 99 and 100 are choral cantatas, the cantata for the 21st Sunday after Tr...

Kantate zum 15. Sonntag nach Trinitatis. Soli SATB, Coro SATB, [Cto], Fl, Obda, Str, Org

Bestimmung unbekannt. Soli SATB, Coro SATB, 2 Cor (2 Tr), Timp, Fl, Obda, Str, Org

Kantate zum 10. Sonntag nach Trinitatis. Soli SATB, Coro SATB, [Cto, 3 Trb], Fl, 2 Ob, Obca (Tl), Vl solo, Str, Org

The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...

The shepherd music so popular in the Baroque period characterizes the cantata Du Hirte Israel, höre BWV 104: two oboes, waist, triplets, dots and organ dots in the opening chorus, oboes d'amore in the...

During Bach's first months in Leipzig, he composed the cantata "Herr, gehe nicht ins Gericht mit deinem Knecht" BWV 105 for the 9th Sunday after Trinity (25.7.1723). The opening chorus, based on two m...

The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...

Kantate zum 3. Sonntag nach Epiphanias. Soli SATB, Coro SATB, 2 Ob, Str, Org

The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...

Kantate zum 17. Sonntag nach Trinitatis. Soli SATB, Coro SATB, [Cto], Fl, 2 Ob, Str, Org

The cantata BWV 127 belongs to the year of choral cantatas that Bach performed in Leipzig in 1724/25. It is closely related to the "St. John Passion", which was performed in its second version on Good...

The three-verse hymn "Wachet auf, ruft uns die Stimme" was written by Philipp Nicolai and first appears in his "Freudenspiegel des ewigen Lebens". The poet of the other text sections of the cantata is...

The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20t...

The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...