Intermediate Classical Music (Baroque) Sheet Music

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

The "English Suites" number among the pinnacles of keyboard literature. They strike a magnificent tone that provides an impressive picture of the virtuosic and sumptuous harpsichord style that Bach ha...

Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-moveme...

Ten pieces including 'Consolation No.1' by Liszt and the 'Promenade' from 'Pictures at an Exhibition' by Mussorgsky. Composers: Bach, Johann Sebastian Mozart, Wolfgang Amadeus Händel, Georg Friedrich...

Ten pieces including 'Consolation No.1' by Liszt and the 'Promenade' from 'Pictures at an Exhibition' by Mussorgsky. Composers: Bach, Johann Sebastian Mozart, Wolfgang Amadeus Händel, Georg Friedrich...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...

Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Tomaso Albinoni’s Concerto, Op. 9, No. 5, composed at the beginning of the 18th century, is an outstanding example of the elegance and clarity of the Italian Baroque style. It is part of the famous co...

Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...

Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...

Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...

Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...

A fairly common practice in the Baroque era was for organists (especially the great J.S. Bach) to "borrow" and transcribe orchestral music from themselves or other composers to create spectacular orga...

Of the nearly 50 concertos that he wrote for two soloists and orchestra, this is the only one for two flutes. The duet passages pass back and forth between the trumpets and the horn/trombone in this e...

2 Trumpets, Horn & 2 Trombones 2 Trumpets, Horn, 2 Trombones & Tuba 2 Trumpets, Horn, Trombone, Euphonium & Tuba 2 Trumpets, Horn, Trombone & Tuba 3 Trumpets & 2 Trombones 3 Trumpets, 2 Trombones & Tu...

4 Trumpets, Horn, 4 Trombones & Tuba